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Earlier that year [1996], Ronnie Scott came to Visiones when I was playing with Maria and he hired me to come and play in his club in London, which I was gratified by. That allowed me to make some more connections.

Jon Gordon

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Jon Gordon
Age: 53
Born: 1971
Born: January 20
Businessperson
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Come
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Ronnie
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More quotes by Jon Gordon

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If you go with that spirit, good things will come for you. If you go into it with an assumption that you're a genius and that you're entitled to something, it's a little tougher.
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Letting people share their gifts and strengths is real love.
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I'm very gratified that I had my little 15 minutes,or whatever [at the Thelonious Monk International Saxophone Competition]. It certainly didn't make me rich and famous. But it helped a little bit for a while.
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Sometimes you think Okay, well I'm going to play my horn, and I'm going to study Charlie Bird Parker solos or [John Coltrain] or whatever. But as [Phil Wood] said to me, Man, Bird listened to everything.
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Many of the people I'm gratified to see have gotten acclaim like Mark Turner or Bill Charlap. Ed Simon or Maria Schneider or Jim McNeely or Scott Robinson. Ken Peplowski, who is a friend and somebody I admire a lot.
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We had a great educator [in the school band], a man named Larry Laurenzano. He was tough, but we knew that he loved us. And that was the beginning of playing music with people and really being inspired and having fun and being in a community.
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Joe Henderson with Ron Carter and Al Foster at the Vanguard was just wow. And the energy of the three of them.
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Anyone who attempts to build great things will face challenges.
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Remember, you have only one ride through life so give it all you got and enjoy the ride.
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I made some nice associations. Ben Perowsky and Kevin Hays... Bill Mobley and Pete McGuinness. A lot of talented people.
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Ernie Hayes, Jimmy Lewis, and either Belton Evans or Khalil Mahdi on drums [were in Sweet Basil]. All those guys really took care of me.
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I was finishing up at High School of Performing Arts and finally, by the end of junior year and start of senior year, made some progress as a 16 year-old classical saxophone player. But not really... not like how the legit cats do. But I love the [Jacques] Ibert, love [Alexander] Glazunov, love the [Paul] Creston.
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Being positive won’t guarantee you’ll succeed. But being negative will guarantee you won’t.
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The more energy you spend worrying about the people who didn't get on your bus, the less you will have for the people who are on your bus. And if you are worrying about the people who didn't get on your bus you won't have the energy to keep on asking new people to get on.
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[Manhattan School Of Music] didn't' have a jazz undergraduate program at the time so I played a semester in the big band. There was a graduate program. But I wasn't really that involved in jazz yet.
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Connection to the music and the history was very powerful to me. I think that's what I feel the most blessed about.
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You can’t be a great leader if all you are serving is yourself.
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When I was 13, 14, 15, I had played in a couple of jazz ensembles. I didn't know anything about harmony, about II-V-I, though I had learned my scales with Caesar [DiMauro].
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I saw a nice interview with Dave Binney recently. He was saying, Man it was never easy. It's not like 'Oh wow, the good old days.' What, when certain people couldn't vote? There was more work for musicians in the '40s, '50s, '60s. But I don't think it was ever easy.
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[Manhattan School Of Music] were kind of just getting the jazz program up and going when I first started there. I was 17 in September of 1984 when I started there.
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