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[Phil Wood] knew about wine. He knew about food. He knew about art. He knew about classical music. He was interested in things.

Jon Gordon

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Jon Gordon
Age: 53
Born: 1971
Born: January 20
Businessperson
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Food
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Phil
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Interested

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If you are complaining you can't be thinking about or creating what you do want.
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You can’t be a great leader if all you are serving is yourself.
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Instead of being disappointed about where you are, be optimistic about where you are going.
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I'm reaching a certain level [at school] that I had been aspiring to with all these incredibly advanced classical peers around me that I had been trying to be able to hang with them a little bit.
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The best legacy you could leave is not some building that is names after you or a piece of jewelry but rather a world that has been impacted and touched by your presence, your joy, and your positive actions.
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Phil [Wood] was very passionate. Very committed. He felt very blessed that the people that cared about him and took him aside... if he was out of line or drinking too much, being too surly.
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Everyone wants to do what the great ones do but very few are willing to do what they did to become great
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When you fuel up with purpose you find the excitement in the mundane, the passion in the everyday, the extraordinary in the ordinary.
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[Manhattan School Of Music] didn't' have a jazz undergraduate program at the time so I played a semester in the big band. There was a graduate program. But I wasn't really that involved in jazz yet.
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You fuel your life with trust and love instead of fear and doubt.
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I was finishing up at High School of Performing Arts and finally, by the end of junior year and start of senior year, made some progress as a 16 year-old classical saxophone player. But not really... not like how the legit cats do. But I love the [Jacques] Ibert, love [Alexander] Glazunov, love the [Paul] Creston.
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I would sit in at a jazz brunch [at sweet Basil] with Eddie Chamblee, who was a great tenor player. Really a kind man. The whole band was great.
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When I was 13, 14, 15, I had played in a couple of jazz ensembles. I didn't know anything about harmony, about II-V-I, though I had learned my scales with Caesar [DiMauro].
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Definitely I had a lot of times where I was really hard on myself. Really frustrated. But I never felt like I had someplace else to go. Just had to stay here and deal with this.
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[Phil wood] put on some [Igor] Stravinsky and say to follow the score, tell me to play me the opening to the Rite of Spring. Or, I'm going to play you some 20th century obscure classical composer you don't know. Or, Let's listen to some Charles Ives, let's sight read some Bartok violin duets, etc.
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When [Charlie Parker] saw the young guys, especially the ones that were scuffling... Did you eat today? And if you hadn't eaten, he'd take you and buy you some lunch.
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Earlier that year [1996], Ronnie Scott came to Visiones when I was playing with Maria and he hired me to come and play in his club in London, which I was gratified by. That allowed me to make some more connections.
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You need to work as hard to be a great teammate as you do to be a great player
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Joe Henderson with Ron Carter and Al Foster at the Vanguard was just wow. And the energy of the three of them.
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All we can do is go about our work. But we can have a goal. We can have a dream.
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