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[Phil Wood] knew about wine. He knew about food. He knew about art. He knew about classical music. He was interested in things.

Jon Gordon

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Jon Gordon
Age: 53
Born: 1971
Born: January 20
Businessperson
Consultant
Writer
Art
Phil
Music
Wood
Things
Classical
Woods
Wine
Interested
Food
Knew

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Definitely I had a lot of times where I was really hard on myself. Really frustrated. But I never felt like I had someplace else to go. Just had to stay here and deal with this.
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Bob [Gordon] died young tragically.
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Many of the people I'm gratified to see have gotten acclaim like Mark Turner or Bill Charlap. Ed Simon or Maria Schneider or Jim McNeely or Scott Robinson. Ken Peplowski, who is a friend and somebody I admire a lot.
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I feel very similarly. I didn't have necessarily the same exact kind of dynamic, but that means a lot when people are like that with you. Especially people like that. And I think [Phil Wood] felt a certain responsibility .
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Great leaders don't succeed because they are great. They succeed because they bring out the greatness in others.
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Everyone wants to do what the great ones do but very few are willing to do what they did to become great
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The Monk competition did open some doors. And I was thankful for that.
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You're not going to have any pension or health care from those $60 nights at you name the club. But I think you do this because you have to do it. You pursue any art form because you need it. Because you love it.
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I had a really nice association with Richie DeRosa, a great musician, a great drummer and composer and arranger. And I had a number of classes with him.
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I would sit in at a jazz brunch [at sweet Basil] with Eddie Chamblee, who was a great tenor player. Really a kind man. The whole band was great.
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The best legacy you could leave is not some building that is names after you or a piece of jewelry but rather a world that has been impacted and touched by your presence, your joy, and your positive actions.
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Every person and every team will be tested on their journey. It is part of the curriculum of life. It's just like riding a bicycle. In the beginning you're going to fall off and get knocked down but the important thing is to get back on, stay strong, and after a while once you master it you'll ride with the confidence of a champion.
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We were poor [with my mother], and we didn't have too much. So we sat on the floor and we had a record player, and that's all we had in that room in the apartment. But we had whatever we had. Six records and a record player and it seemed like magic. Seven or eight years old, you know.
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Connection to the music and the history was very powerful to me. I think that's what I feel the most blessed about.
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You need to work as hard to be a great teammate as you do to be a great player
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We listened [with my mother] to [Frank] Sinatra and Glen Campbell and we had some Beatles records that I liked. This was in the '70s.
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Ernie Hayes, Jimmy Lewis, and either Belton Evans or Khalil Mahdi on drums [were in Sweet Basil]. All those guys really took care of me.
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Hearing Phil [wood] a lot, those few years especially when I was going to hear music and Tom Harrell was in the band. Man that was incredible. Hearing Tom at that period, and hearing Phil in that period, and also [Charles] McPherson. Those three guys were very impactful. Very inspiring to me at the time.
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Aesthetically, I love the whole history of the music.
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There were some things I was going and doing in Europe a little bit. Some festivals that brought me over. That was good. Some touring I did over there. But there was nothing major [from 22 to 29].
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