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[Phil Wood] knew about wine. He knew about food. He knew about art. He knew about classical music. He was interested in things.

Jon Gordon

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Jon Gordon
Age: 53
Born: 1971
Born: January 20
Businessperson
Consultant
Writer
Woods
Wine
Interested
Food
Knew
Art
Phil
Music
Wood
Things
Classical

More quotes by Jon Gordon

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There were some things I was going and doing in Europe a little bit. Some festivals that brought me over. That was good. Some touring I did over there. But there was nothing major [from 22 to 29].
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I had a really nice association with Richie DeRosa, a great musician, a great drummer and composer and arranger. And I had a number of classes with him.
Jon Gordon
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I learned some classical music history, which I had done quite a bit at of Performing Arts. But I got some more with a great teacher named David Noon, who I've been in contact with quite a bit in recent years.
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You fuel your life with trust and love instead of fear and doubt.
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Aesthetically, I love the whole history of the music.
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Only through service and sacrifice can you become great.
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A lot of musicians have said things to me like, Music saved my life. And I'm standing on the shoulders of dozens of people that you've never heard of that were like angels for me that came out of the woodwork. And that's really the case for me. I had so many people that did those kinds of things for me.
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There are a lot of people that impacted me. I remember hearing Oscar Peterson live at the Blue Note, which was very expensive, but... $50 in the '80s... hard to come up with. But it was amazing.
Jon Gordon
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I was occasionally getting calls for some things. But I would say, 22 to 29 was a lot of scuffling. Hoping to get called for bad wedding gigs and I did do an off-Broadway show for about 15 months.
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We had a great educator [in the school band], a man named Larry Laurenzano. He was tough, but we knew that he loved us. And that was the beginning of playing music with people and really being inspired and having fun and being in a community.
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Alan [Ferber] is a great trombonist and composer. I'm thankful that I got some associations like that through peers and former students. That's kind of what it is.
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I was studying with Joe Allard, which was great, as a saxophone student. Being able to study with Joe Allard was an incredible experience.
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I was also sitting in from the middle of senior year of high school at Sweet Basil, it was a great club in New York.
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Definitely I had a lot of times where I was really hard on myself. Really frustrated. But I never felt like I had someplace else to go. Just had to stay here and deal with this.
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I definitely had some moments, where, Wow, these were some hard chords on some gig.
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The best legacy you could leave is not some building that is names after you or a piece of jewelry but rather a world that has been impacted and touched by your presence, your joy, and your positive actions.
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Pretty fortunate that with the exception of two months when I was 23, that I worked in a law office pushing paper around. I was always able to eke out a living somehow. So I'm blessed.
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When you experience resistance, you find the lessons that you are meant to learn
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I saw a nice interview with Dave Binney recently. He was saying, Man it was never easy. It's not like 'Oh wow, the good old days.' What, when certain people couldn't vote? There was more work for musicians in the '40s, '50s, '60s. But I don't think it was ever easy.
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I'm reaching a certain level [at school] that I had been aspiring to with all these incredibly advanced classical peers around me that I had been trying to be able to hang with them a little bit.
Jon Gordon