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Another classical music teacher from Performing Arts that I've stayed in contact with is Jonathan Strasser.
Jon Gordon
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Jon Gordon
Age: 53
Born: 1971
Born: January 20
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More quotes by Jon Gordon
I had pestered [Phil Wood] for a long time. He finally agreed to do it. And I was excited and nervous and he couldn't have been nicer or more supportive from the minute I got to his house.
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Phil [Wood] was very passionate. Very committed. He felt very blessed that the people that cared about him and took him aside... if he was out of line or drinking too much, being too surly.
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I was finishing up at High School of Performing Arts and finally, by the end of junior year and start of senior year, made some progress as a 16 year-old classical saxophone player. But not really... not like how the legit cats do. But I love the [Jacques] Ibert, love [Alexander] Glazunov, love the [Paul] Creston.
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Ernie Hayes, Jimmy Lewis, and either Belton Evans or Khalil Mahdi on drums [were in Sweet Basil]. All those guys really took care of me.
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I'm reaching a certain level [at school] that I had been aspiring to with all these incredibly advanced classical peers around me that I had been trying to be able to hang with them a little bit.
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No challenge can stop you if you have the courage to keep moving forward in the face of your greatest fears and biggest challenges. Be courageous.
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When I was 13, 14, 15, I had played in a couple of jazz ensembles. I didn't know anything about harmony, about II-V-I, though I had learned my scales with Caesar [DiMauro].
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I saw a nice interview with Dave Binney recently. He was saying, Man it was never easy. It's not like 'Oh wow, the good old days.' What, when certain people couldn't vote? There was more work for musicians in the '40s, '50s, '60s. But I don't think it was ever easy.
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I took some comp for non-comp major classes with Giacomo Bracali and Ludmila Ulela, who was a really famous composition teacher.
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There's a lot of good people out here that want to help you grow and to help the music to continue to grow and evolve and go find those folks and be around them and carry it on... carrying the tradition on in the way with what it is that you have to offer. Find some good people in the music that will believe in you and they'll help you do that.
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We had a great educator [in the school band], a man named Larry Laurenzano. He was tough, but we knew that he loved us. And that was the beginning of playing music with people and really being inspired and having fun and being in a community.
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Remember, you have only one ride through life so give it all you got and enjoy the ride.
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Negative thoughts are the nails that build a prison of failure.
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There were some things I was going and doing in Europe a little bit. Some festivals that brought me over. That was good. Some touring I did over there. But there was nothing major [from 22 to 29].
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I was really falling in love with jazz and dedicating myself in that direction.
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When you experience resistance, you find the lessons that you are meant to learn
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I definitely had some moments, where, Wow, these were some hard chords on some gig.
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Letting people share their gifts and strengths is real love.
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You're not going to have any pension or health care from those $60 nights at you name the club. But I think you do this because you have to do it. You pursue any art form because you need it. Because you love it.
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Don't waste your energy on those who don't get on your bus.
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