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[Manhattan School Of Music] didn't' have a jazz undergraduate program at the time so I played a semester in the big band. There was a graduate program. But I wasn't really that involved in jazz yet.

Jon Gordon

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Jon Gordon
Age: 53
Born: 1971
Born: January 20
Businessperson
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Writer
Music
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Band
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More quotes by Jon Gordon

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We had been thrown out of a couple of places that we had lived in when I was a kid and all the family photos and records and toys were long since gone. But I think somebody had given us a couple of records.
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Phil [Wood] was known for having a little bit of a gruff manner, but he was all heart.
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Connection to the music and the history was very powerful to me. I think that's what I feel the most blessed about.
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Negative people often tend to create negative cultures whereas positive corporate cultures are created by positive people.
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Phil [Wood] said to me in the car going back, he said, Look man, you better know why you're playing this music. Because I've known too many who lived and died for it. And if you're not trying to change the world, I'm not interested.
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Hearing Phil [wood] a lot, those few years especially when I was going to hear music and Tom Harrell was in the band. Man that was incredible. Hearing Tom at that period, and hearing Phil in that period, and also [Charles] McPherson. Those three guys were very impactful. Very inspiring to me at the time.
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When you experience resistance, you find the lessons that you are meant to learn
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Alan [Ferber] is a great trombonist and composer. I'm thankful that I got some associations like that through peers and former students. That's kind of what it is.
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We [with my mother] listened to music when I was a kid. We listened to a little bit of Bob's [Gordon] music, but just a little, I think it was too painful for her.
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Another classical music teacher from Performing Arts that I've stayed in contact with is Jonathan Strasser.
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When I was a kid, I always saw these pictures of a man called Bob Gordon with a baritone saxophone, who I understood was my father. Turns out he wasn't. He was my mother's first husband.
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Don't waste your energy on those who don't get on your bus.
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[Phil wood] put on some [Igor] Stravinsky and say to follow the score, tell me to play me the opening to the Rite of Spring. Or, I'm going to play you some 20th century obscure classical composer you don't know. Or, Let's listen to some Charles Ives, let's sight read some Bartok violin duets, etc.
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I never really had a classical saxophone set-up. I just had a middle of the road set up.
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I think we're in a time and place, the last 20 plus years, and certainly now, it's only more so, where it's just about us creating a body of work. Creating hopefully our own scene.
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I had a great year with Bob Mintzer [at Laguardia School of Arts]. Bob is great. We could have just brought the clarinet or dealt with classical stuff, or brought the flute or just dealt with comp and arranging... what a great teacher.
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Love is the answer for the team's success.
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I think that's important to remember - That we're blessed to even be able to attempt to do this [music].
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If you are complaining you can't be thinking about or creating what you do want.
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I never got to play with Art [ Blakey], but he was kind and spoke to me a number of times. He said, You know, the people who are working 40 hours a week. Those are the ones who are really paying dues. Sitting at a desk doing the same thing every day. We're really blessed to do what we do.
Jon Gordon