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I would sit in at a jazz brunch [at sweet Basil] with Eddie Chamblee, who was a great tenor player. Really a kind man. The whole band was great.

Jon Gordon

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Jon Gordon
Age: 53
Born: 1971
Born: January 20
Businessperson
Consultant
Writer
Whole
Basil
Great
Tenor
Kind
Tenors
Really
Eddie
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Jazz
Men
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Sweet
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Brunch

More quotes by Jon Gordon

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There are a lot of people that impacted me. I remember hearing Oscar Peterson live at the Blue Note, which was very expensive, but... $50 in the '80s... hard to come up with. But it was amazing.
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I was occasionally getting calls for some things. But I would say, 22 to 29 was a lot of scuffling. Hoping to get called for bad wedding gigs and I did do an off-Broadway show for about 15 months.
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Phil [Wood] was known for having a little bit of a gruff manner, but he was all heart.
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We [with my mother] listened to music when I was a kid. We listened to a little bit of Bob's [Gordon] music, but just a little, I think it was too painful for her.
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A guy like Scott [Robinson] plays the whole history of music on every instrument you've ever heard of. He's just kind of an unparalleled genius.
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Ernie Hayes, Jimmy Lewis, and either Belton Evans or Khalil Mahdi on drums [were in Sweet Basil]. All those guys really took care of me.
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I took some comp for non-comp major classes with Giacomo Bracali and Ludmila Ulela, who was a really famous composition teacher.
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We had a great educator [in the school band], a man named Larry Laurenzano. He was tough, but we knew that he loved us. And that was the beginning of playing music with people and really being inspired and having fun and being in a community.
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Connection to the music and the history was very powerful to me. I think that's what I feel the most blessed about.
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I had made a couple of records in Europe. One as a leader, and one as a sideman before that. It was what it was. I started to work with Maria Schneider around that period and some other people, I started to get called to sub at the Vanguard in my mid-20s.
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Earlier that year [1996], Ronnie Scott came to Visiones when I was playing with Maria and he hired me to come and play in his club in London, which I was gratified by. That allowed me to make some more connections.
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There's a lot of good people out here that want to help you grow and to help the music to continue to grow and evolve and go find those folks and be around them and carry it on... carrying the tradition on in the way with what it is that you have to offer. Find some good people in the music that will believe in you and they'll help you do that.
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Instead of being disappointed about where you are, be optimistic about where you are going.
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[Manhattan School Of Music] were kind of just getting the jazz program up and going when I first started there. I was 17 in September of 1984 when I started there.
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I was really falling in love with jazz and dedicating myself in that direction.
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We often have to lose what we thought we wanted to find what God wants for us
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When I was a kid, I always saw these pictures of a man called Bob Gordon with a baritone saxophone, who I understood was my father. Turns out he wasn't. He was my mother's first husband.
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Alan [Ferber] is a great trombonist and composer. I'm thankful that I got some associations like that through peers and former students. That's kind of what it is.
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I was studying with Joe Allard, which was great, as a saxophone student. Being able to study with Joe Allard was an incredible experience.
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Negative people often tend to create negative cultures whereas positive corporate cultures are created by positive people.
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