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I was also sitting in from the middle of senior year of high school at Sweet Basil, it was a great club in New York.

Jon Gordon

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Jon Gordon
Age: 53
Born: 1971
Born: January 20
Businessperson
Consultant
Writer
Years
Sitting
Sweet
Middle
High
Basil
Year
Senior
School
Club
Also
Clubs
Great
York

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When you believe, the impossible becomes possible. What you believe will become what is true. Your optimism today will determine your level of success tomorrow. Don’t look at your challenges look up and look out into the future. Don’t focus on your circumstances. Focus on the right beliefs that will help you build your success.
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The best legacy you could leave is not some building that is names after you or a piece of jewelry but rather a world that has been impacted and touched by your presence, your joy, and your positive actions.
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Only through service and sacrifice can you become great.
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I feel very similarly. I didn't have necessarily the same exact kind of dynamic, but that means a lot when people are like that with you. Especially people like that. And I think [Phil Wood] felt a certain responsibility .
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I think what frustrated me more than anything else in my formative years was that I just had to work. I had to have a job. Like twenty to thirty hours a week, a lot of times in high school and college. And that was hard.
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I was [ on Thelonious Monk International Saxophone Competition] with Ralph Bowen, and Joel Frahm, Jimmy Greene, John Ellis. You can't play the saxophone better than any of those guys play. So many of those things that those guys could do I wish I could do now, let alone then.
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You need to work as hard to be a great teammate as you do to be a great player
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Pretty fortunate that with the exception of two months when I was 23, that I worked in a law office pushing paper around. I was always able to eke out a living somehow. So I'm blessed.
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Life and success are about what you choose to believe.
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[Phil wood] put on some [Igor] Stravinsky and say to follow the score, tell me to play me the opening to the Rite of Spring. Or, I'm going to play you some 20th century obscure classical composer you don't know. Or, Let's listen to some Charles Ives, let's sight read some Bartok violin duets, etc.
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Ernie Hayes, Jimmy Lewis, and either Belton Evans or Khalil Mahdi on drums [were in Sweet Basil]. All those guys really took care of me.
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Alan [Ferber] is a great trombonist and composer. I'm thankful that I got some associations like that through peers and former students. That's kind of what it is.
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You do [jazz] because you love it and hope many some others may as well. You do this because you need it.
Jon Gordon
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[Manhattan School Of Music] were kind of just getting the jazz program up and going when I first started there. I was 17 in September of 1984 when I started there.
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Letting people share their gifts and strengths is real love.
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Another classical music teacher from Performing Arts that I've stayed in contact with is Jonathan Strasser.
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I didn't always have time to practice as much as I wanted to do, that was a real problem for me in high school and college.
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The more energy you spend worrying about the people who didn't get on your bus, the less you will have for the people who are on your bus. And if you are worrying about the people who didn't get on your bus you won't have the energy to keep on asking new people to get on.
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The Monk competition did open some doors. And I was thankful for that.
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Love the process and you’ll love what the process produces.
Jon Gordon