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When I heard Charlie Parker the first time on a record, it had seemed like an old, scratchy kind of record and I didn't get it.

Jon Gordon

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Jon Gordon
Age: 53
Born: 1971
Born: January 20
Businessperson
Consultant
Writer
Firsts
Scratchy
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Parker
Kind
Charlie
Time
Seemed
Like
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Records
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If you go with that spirit, good things will come for you. If you go into it with an assumption that you're a genius and that you're entitled to something, it's a little tougher.
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There's a lot of good people out here that want to help you grow and to help the music to continue to grow and evolve and go find those folks and be around them and carry it on... carrying the tradition on in the way with what it is that you have to offer. Find some good people in the music that will believe in you and they'll help you do that.
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I was also sitting in from the middle of senior year of high school at Sweet Basil, it was a great club in New York.
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I think we're in a time and place, the last 20 plus years, and certainly now, it's only more so, where it's just about us creating a body of work. Creating hopefully our own scene.
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You need to work as hard to be a great teammate as you do to be a great player
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You hear about the struggles with substances and all that, but [Phil Wood] was a really a great guy. This was a great man.
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Larry [ Laurenzano] said to me one day near the end of junior high, Jon, are you Jewish? I said, No. And he said, Well neither am I. I'm not sure of Caesar DiMauro, but he teaches at the JCC and I got you a scholarship there.
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Love is the answer for the team's success.
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Many of the people I'm gratified to see have gotten acclaim like Mark Turner or Bill Charlap. Ed Simon or Maria Schneider or Jim McNeely or Scott Robinson. Ken Peplowski, who is a friend and somebody I admire a lot.
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We had been thrown out of a couple of places that we had lived in when I was a kid and all the family photos and records and toys were long since gone. But I think somebody had given us a couple of records.
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Instead of being disappointed about where you are, be optimistic about where you are going.
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I had a great year with Bob Mintzer [at Laguardia School of Arts]. Bob is great. We could have just brought the clarinet or dealt with classical stuff, or brought the flute or just dealt with comp and arranging... what a great teacher.
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Phil [Wood] was very passionate. Very committed. He felt very blessed that the people that cared about him and took him aside... if he was out of line or drinking too much, being too surly.
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I think what frustrated me more than anything else in my formative years was that I just had to work. I had to have a job. Like twenty to thirty hours a week, a lot of times in high school and college. And that was hard.
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Positivity is like a boomerang. The more we put it out there, the more it comes back to us.
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I never really had a classical saxophone set-up. I just had a middle of the road set up.
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Earlier that year [1996], Ronnie Scott came to Visiones when I was playing with Maria and he hired me to come and play in his club in London, which I was gratified by. That allowed me to make some more connections.
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Ernie Hayes, Jimmy Lewis, and either Belton Evans or Khalil Mahdi on drums [were in Sweet Basil]. All those guys really took care of me.
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I had a really nice association with Richie DeRosa, a great musician, a great drummer and composer and arranger. And I had a number of classes with him.
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Being positive won’t guarantee you’ll succeed. But being negative will guarantee you won’t.
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