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Walk down Forest Ave to Joey's Pizza like we used to do after performances, which doesn't exist anymore. We had a sense of community [in the school band].

Jon Gordon

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Jon Gordon
Age: 53
Born: 1971
Born: January 20
Businessperson
Consultant
Writer
Sense
Forests
Doesn
Performances
School
Anymore
Used
Exist
Like
Band
Walk
Joey
Walks
Pizza
Community
Forest

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If I could have picked two guys on the planet, to have some exposure to at that age, those were the two right guys [Phil Woods and Charles McPherson].
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You can’t be a great leader if all you are serving is yourself.
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Negative people often tend to create negative cultures whereas positive corporate cultures are created by positive people.
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I was finishing up at High School of Performing Arts and finally, by the end of junior year and start of senior year, made some progress as a 16 year-old classical saxophone player. But not really... not like how the legit cats do. But I love the [Jacques] Ibert, love [Alexander] Glazunov, love the [Paul] Creston.
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I was commuting three to four hours a day, I had jobs for much of it. But I was always involved in going to some ensemble someplace. Taking my lessons at the local Jewish community center on Staten Island.
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It's very unlikely you're a genius, but, if you're ready to work at it hard and you want to listen to music all the time and you want to learn about it and you want to be around the people who do it, you'll find your own way.
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Connection to the music and the history was very powerful to me. I think that's what I feel the most blessed about.
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Great leaders don't succeed because they are great. They succeed because they bring out the greatness in others.
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Hearing Phil [wood] a lot, those few years especially when I was going to hear music and Tom Harrell was in the band. Man that was incredible. Hearing Tom at that period, and hearing Phil in that period, and also [Charles] McPherson. Those three guys were very impactful. Very inspiring to me at the time.
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When [Charlie Parker] saw the young guys, especially the ones that were scuffling... Did you eat today? And if you hadn't eaten, he'd take you and buy you some lunch.
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[Manhattan School Of Music] didn't' have a jazz undergraduate program at the time so I played a semester in the big band. There was a graduate program. But I wasn't really that involved in jazz yet.
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We had been thrown out of a couple of places that we had lived in when I was a kid and all the family photos and records and toys were long since gone. But I think somebody had given us a couple of records.
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I'm reaching a certain level [at school] that I had been aspiring to with all these incredibly advanced classical peers around me that I had been trying to be able to hang with them a little bit.
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It's a complicated story [hoe I got into music ]. I actually wrote a book about it, titled For Sue.
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I just lucked into a lot of good people man. In my life and through friends, and in the music, that really embraced me and took care of me. I'm a lucky guy.
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I would sit in at a jazz brunch [at sweet Basil] with Eddie Chamblee, who was a great tenor player. Really a kind man. The whole band was great.
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We were poor [with my mother], and we didn't have too much. So we sat on the floor and we had a record player, and that's all we had in that room in the apartment. But we had whatever we had. Six records and a record player and it seemed like magic. Seven or eight years old, you know.
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I definitely had some moments, where, Wow, these were some hard chords on some gig.
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