In fact, it's in my interest to love digital recording, and I just spent a ton on a new digital recording system, so I speak from a place of heavy investment in both sides.

As a studio, you have to have a niche. You have to provide a service and there has to be a reason for your being around.

One day, digital will be it. Analog will just be another oddity, and that's fine, too. I have no great misgivings about it, but there will always be something to analog. It's the smell of the tape and all that visceral, physical stuff.

Bands will always need studios. The more people there are recording at home, the more people there will be who are going to need a studio.

The funny thing is that even engineers and techs don't know what a tiny telephone connector is - people call them TT connectors. Engineers used to come by all the time and say, Why are you called Tiny Telephone?

When I tour with a band, things get more unconscious and more automatic as the tour goes on. Music has to be like natural speech. It's probably like learning a foreign language. Thinking about the use of pronouns is not the passionate part of communicating with people.

Making love to robots will probably be great one day. It's just not a viable option right now.

There is definitely a nostalgia, and I am very sentimental, so I don't begrudge people for having sentimental feelings towards vinyl.

The world is just going to continue to fragment, and that's a great thing.

Analog was perfected over 70 years, though. Digital will one day be fantastic. I'm sure of it.

If you'd asked me what I'd wanted to do five years ago, I'd have told you I wanted to be Viktor Vaughn or The Game - I would want to be a rapper with an eight ball of coke in my pocket and a wad of hundreds. Because that kind of freedom - well, perceived freedom - is where I want to be.