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The reason I do workshops is so I can learn, and I am fortunate that I've probably gained more from the whole experience of teaching than any one participant has. It is all about asking.

John Sexton

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John Sexton
Age: 82
Born: 1942
Born: September 29
Professor
Scientist
Brooklyn
New York
John Edward Sexton
Learn
Participants
Experience
Gained
Reason
Fortunate
Whole
Photographer
Photography
Asking
Teaching
Participant
Probably
Workshops

More quotes by John Sexton

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In my mind I needed a symbol of today's technology, and I realized that what I wanted to photograph was the Space Shuttle. And so that's where Places of Power came into being.
John Sexton
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The first day at the power plant I found myself photographing some steam vents on the roof of the structure. And I remember consciously thinking that they were just like trees but they were metal.
John Sexton
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Pictures you have taken have an influence on those that you are going to make. That's life!
John Sexton
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There is a considerable amount of manipulation in the printmaking from the straight photograph to the finished print. If I do my job correctly that shouldn't be visible at all, it should be transparent.
John Sexton
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It's not a question of getting the opportunities, it's a question of noticing that opportunities are there.
John Sexton
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I find the surface of a photograph a thing of beauty in and of itself, and it is this surface that makes a photograph unique relative to other two-dimensional media.
John Sexton
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He was a very generous soul and was exceptionally dedicated to the medium of photography.
John Sexton
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Having photographed the landscape for a number of years and specifically working with trees and in the forest I found, without consciously thinking about it, that it was a great learning experience for me in terms of organizing elements.
John Sexton
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I really don't have any secrets. I've never met a photographer whose work I respected that had a secret because the secret lies within each and every one of us.
John Sexton
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Today my passion is still black and white. Today if I have an array of cameras in front of me the one I would reach for that I would feel most comfortable with would be a 4 X 5 View camera. I was once working in a sort of soft light situation.
John Sexton
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Obviously, we can see what was in front of the camera, but if a photograph is honestly made, it's a bit of a self-portrait. I think it's impossible for a photographer who is working honestly to keep this from happening.
John Sexton
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I took a workshop from him a few months after that. That experience changed my whole approach to photography. At that workshop in Yosemite in 1973 I decided I wanted to try and see if I could pursue this for myself, and I'm still trying.
John Sexton
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I've found even after nearly 30 years of doing this, there are all kinds of new surprises that rear their heads at various times and I truly believe that 51% of the images, success takes place in the darkroom.
John Sexton
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In 1979, I received a phone call from Ansel Adams asking me if I would be willing to consider coming to work for him. I was teaching photography in Southern California at that point.
John Sexton
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When I'm about ready to press the cable release on the View camera, I've tried to anticipate some of the challenges I'm going to encounter in the darkroom.
John Sexton
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I think the greatest photographers are the amateur photographers who do it because they love it. Arnold Newman is a good example he is a consummate professional, but he's also an 'amateur' in the pure sense of the word.
John Sexton
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To me, photography is 90% a retrospective experience. There's the part of pursuing the image, and exposing the film, but once you make the exposure, you're always looking backwards in time. I like that aspect of photography.
John Sexton
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So when I became interested in photography and further being inspired by the work that I saw of Ansel and others, it was a natural extension to go back to these places that I knew as a kid and explore them with my camera.
John Sexton
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Many photographers are consumed with the idea of making beautiful contact sheets. I am far more interested in making the best final print I can.
John Sexton
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It was amazing to watch him in the darkroom at an advanced age, still get excited when the results were pleasing. He still struggled like we all do in the darkroom and he struggled behind the camera, and when he had a success he was beaming.
John Sexton