Quote

Color is, in brief terms, the type of love. Hence it is especially connected with the blossoming of the earth and again, with its fruits also, with the spring and fall of the leaf, and with the morning and evening of the day, in order to show the waiting of love about the birth and death of man.

John Ruskin

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John Ruskin
Age: 80 †
Born: 1819
Born: February 8
Died: 1900
Died: January 20
Aesthetician
Architect
Art Critic
Art Historian
Journalist
Literary Critic
Painter
Philosopher
Poet
Sociologist
University Teacher
Writer
London
England
Kata Phusin
Rŏsŭkʻin
J. Ruskin
John Rosukin
Jon Rasukin
Dzhon Rëskin
Ruskin
Men
Term
Spring
Leafs
Love
Show
Terms
Leaf
Fall
Birth
Fruits
Death
Especially
Brief
Shows
Type
Hence
Order
Color
Evening
Also
Morning
Fruit
Earth
Waiting
Connected
Blossoming

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When men do not love their hearth, nor reverence their thresholds, it is a sign that they have dishonoured both ... Our God is a house-hold God, as well as a heavenly one He has an altar in every man's dwelling.
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It is far better to give work that is above a person, than to educate the person to be above their work.
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It is better to lose your pride with someone you love rather than to lose that someone you love with your useless pride.
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No small misery is caused by overworked and unhappy people, in the dark views which they necessarily take up themselves, and force upon others, of work itself.
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The finer the nature, the more flaws it will show through the clearness of it and it is a law of this universe that the best things shall be seldomest seen in their best form.
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When God shuts a door, He opens a window.
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It is in this power of saying everything, and yet saying nothing too plainly, that the perfection of art consists.
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Men are more evanescent than pictures, yet one sorrows for lost friends, and pictures are my friends. I have none others. I am never long enough with men to attach myself to them and whatever feelings of attachment I have are to material things.
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That which is required in order to the attainment of accurate conclusions respecting the essence of the Beautiful is nothing morethan earnest, loving, and unselfish attention to our impressions of it.
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To know anything well involves a profound sensation of ignorance.
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I believe that the first test of a great man is his humility. I don't mean by humility, doubt of his power. But really great men have a curious feeling that the greatness is not of them, but through them. And they see something divine in every other man and are endlessly, foolishly, incredibly merciful.
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A forest of all manner of trees is poor, if not disagreeable, in effect a mass of one species of tree is sublime.
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Your labor only may be sold, your soul must not.
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The art of nations is to be accumulative, just as science and history are the work of living men not superseding, but building itself upon the work of the past.
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So long as we see the stones and joints, and are not deceived as to the points of support in any piece of architecture, we may rather praise than regret the dexterous artifices which compel us to feel as if there were fibre in its shafts and life in its branches.
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All you have really to do is to keep your back as straight as you can and not think about what is upon it. The real and essential meaning of virtue is that straightness of back.
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There was a rocky valley between Buxton and Bakewell?divine as the vale of Tempe you might have seen the gods there morning and eveningApollo and the sweet Muses of the Light? You enterprised a railroad?you blasted its rocks away? And, now, every fool in Buxton can be at Bakewell in half-an-hour, and every fool in Bakewell at Buxton.
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Kind hearts are the garden, kind thoughts are the roots, kind words are the blossoms, kind deeds are the fruit.
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We must note carefully what distinction there is between a healthy and a diseased love of change for as it was in healthy love of change that the Gothic architecture rose, it was partly in consequence of diseased love of change that it was destroyed.
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The enormous influence of novelty--the way in which it quickens observations, sharpens sensations, and exalts sentiment--is not half enough taken note of by us, and is to me a very sorrowful matter. And yet, if we try to obtain perpetual change, change itself will become monotonous.
John Ruskin