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Other men used their effete faiths and mean faculties with a high moral purpose. The Venetian gave the most earnest faith, and the lordliest faculty, to gild the shadows of an antechamber, or heighten the splendours of a holiday.

John Ruskin

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John Ruskin
Age: 80 †
Born: 1819
Born: February 8
Died: 1900
Died: January 20
Aesthetician
Architect
Art Critic
Art Historian
Journalist
Literary Critic
Painter
Philosopher
Poet
Sociologist
University Teacher
Writer
London
England
Kata Phusin
Rŏsŭkʻin
J. Ruskin
John Rosukin
Jon Rasukin
Dzhon Rëskin
Ruskin
High
Faiths
Moral
Faculties
Purpose
Earnest
Faith
Shadows
Venetian
Used
Holiday
Effete
Mean
Faculty
Gild
Men
Shadow
Heighten
Gave
Splendour

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Production does not consist in things laboriously made, but in things serviceably consumable and the question for the nation is not how much labour it employs, but how much life it produces.
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Modern education has devoted itself to the teaching of impudence, and then we complain that we can no longer control our mobs.
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If only the Geologists would let me alone, I could do very well, but those dreadful Hammers! I hear the clink of them at the end of every cadence of the Bible verses.
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The first duty of government is to see that people have food, fuel, and clothes. The second, that they have means of moral and intellectual education.
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Color is, in brief terms, the type of love. Hence it is especially connected with the blossoming of the earth and again, with its fruits also, with the spring and fall of the leaf, and with the morning and evening of the day, in order to show the waiting of love about the birth and death of man.
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Nature is painting for us, day after day, pictures of infinite beauty.
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All of one's life is music, if one touches the notes rightly, and in time.
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The man who can see all gray, and red, and purples in a peach, will paint the peach rightly round, and rightly altogether. But the man who has only studied its roundness may not see its purples and grays, and if he does not will never get it to look like a peach so that great power over color is always a sign of large general art-intellect.
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Value is the life-giving power of anything cost, the quantity of labour required to produce it its price, the quantity of labourwhich its possessor will take in exchange for it.
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The imagination is never governed, it is always the ruling and divine power.
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That man is always happy who is in the presence of something which he cannot know to the full, which he is always going on to know.
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He who has learned what is commonly considered the whole art of painting, that is, the art of representing any natural object faithfully, has as yet only learned the language by which his thoughts are to be expressed.
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Imperfection is in some sort essential to all that we know in life.
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The entire vitality of art depends upon its being either full of truth, or full of use and that, however pleasant, wonderful, or impressive it may be in itself, it must yet be of inferior kind, and tend to deeper inferiority, unless it has clearly one of these main objects, either to state a true thing, or to adorn a serviceable one.
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Genius is only a superior power of seeing.
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In old times men used their powers of painting to show the objects of faith, in later times they use the objects of faith to show their powers of painting.
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