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Death is not a journey into an unknown land it is a voyage home. We are going, not to a strange country, but to our fathers house.

John Ruskin

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John Ruskin
Age: 80 †
Born: 1819
Born: February 8
Died: 1900
Died: January 20
Aesthetician
Architect
Art Critic
Art Historian
Journalist
Literary Critic
Painter
Philosopher
Poet
Sociologist
University Teacher
Writer
London
England
Kata Phusin
Rŏsŭkʻin
J. Ruskin
John Rosukin
Jon Rasukin
Dzhon Rëskin
Ruskin
Land
Father
Voyage
Death
Voyages
House
Fathers
Home
Sympathy
Country
Unknown
Going
Journey
Strange

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Wherever men are noble, they love bright colour and wherever they can live healthily, bright colour is given them—in sky, sea, flowers, and living creatures.
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It is impossible to tell you the perfect sweetness of the lips and closed eyes, nor the solemnity of the seal of death which is set upon the whole figure. It is, in every way, perfect--truth itself, but truth selected with inconceivable refinement of feeling.
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The strength and power of a country depends absolutely on the quantity of good men and women in it.
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There is no music in a “rest” that I know of, but there's the making of music in it. And people are always missing that part of the life melody.
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Let us reform our schools, and we shall find little reform needed in our prisons.
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Science deals exclusively with things as they are in themselves and art exclusively with things as they affect the human sense and human soul.
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To banish imperfection is to destroy expression, to check exertion, to paralyze vitality.
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There is nothing that this age, from whatever standpoint we survey it, needs more, physically, intellectually, and morally, than thorough ventilation.
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There is no wealth but life.
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I believe that there is no test of greatness in periods, nations or men more sure than the development, among them or in them, of a noble grotesque, and no test of comparative smallness or limitation, of one kind or another, more sure than the absence of grotesque invention, or incapability of understanding it.
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No good is ever done to society by the pictorial representation of its diseases.
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Music when healthy, is the teacher of perfect order, and when depraved, the teacher of perfect disorder.
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Every duty we omit obscures some truth we should have known.
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I am almost sick and giddy with the quantity of things in my head, all tempting and wanting to be worked out.
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Architecture is the art which so disposes and adorns the edifices raised by man, that the sight of them may contribute to his mental health, power, and pleasure.
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Ignorance, which is contented and clumsy, will produce what is imperfect, but not offensive. But ignorance dis contented and dexterous, learning what it cannot understand, and imitating what it cannot enjoy, produces the most loathsome forms of manufacture that can disgrace or mislead humanity.
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It is not the weariness of mortality, but the strength of divinity, which we have to recognize in all mighty things and that is just what we now never recognize, but think that we are to do great things by help of iron bars and perspiration. Alas! we shall do nothing that way but lose some pounds of our own weight.
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The entire vitality of art depends upon its being either full of truth, or full of use and that, however pleasant, wonderful, or impressive it may be in itself, it must yet be of inferior kind, and tend to deeper inferiority, unless it has clearly one of these main objects, either to state a true thing, or to adorn a serviceable one.
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The actual flower is the plant's highest fulfilment, and are not here exclusively for herbaria, county floras and plant geography: they are here first of all for delight.
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As in the instances of alchemy, astrology, witchcraft, and other such popular creeds, political economy, has a plausible idea at the root of it.
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