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All violent feelings have the same effect. They produce in us a falseness in all our impressions of external things, which I would generally characterize as the pathetic fallacy.

John Ruskin

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John Ruskin
Age: 80 †
Born: 1819
Born: February 8
Died: 1900
Died: January 20
Aesthetician
Architect
Art Critic
Art Historian
Journalist
Literary Critic
Painter
Philosopher
Poet
Sociologist
University Teacher
Writer
London
England
Kata Phusin
Rŏsŭkʻin
J. Ruskin
John Rosukin
Jon Rasukin
Dzhon Rëskin
Ruskin
Produce
Pathetic
Literature
External
Feelings
Impression
Things
Generally
Would
Violent
Falseness
Effect
Characterize
Judging
Fallacy
Effects
Impressions

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In old times men used their powers of painting to show the objects of faith, in later times they use the objects of faith to show their powers of painting.
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Make yourselves nests of pleasant thoughts. None of us knows what fairy palaces we may build of beautiful thought-proof against all adversity. Bright fancies, satisfied memories, noble histories, faithful sayings, treasure houses of precious and restful thoughts, which care cannot disturb, nor pain make gloomy, nor poverty take away from us.
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The proof of a thing's being right is that it has power over the heart that it excites us, wins us, or helps us.
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Work first, and then rest.
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English artists are usually entirely ruined by residence in Italy.
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The entire object of true education is to make people not merely do the right things, but enjoy the right things — not merely industrious, but to love industry — not merely learned, but to love knowledge — not merely pure, but to love purity — not merely just, but to hunger and thirst after justice.
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To do your own work well, whether it be for life or death.
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If only the Geologists would let me alone, I could do very well, but those dreadful Hammers! I hear the clink of them at the end of every cadence of the Bible verses.
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One of the worst diseases to which the human creature is liable is its disease of thinking.
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It is strange that of all the pieces of the Bible which my mother taught me, that which cost me the most to learn, and which was to my childish mind the most repulsive - Psalm 119 - has now become of all the most precious to me in its overflowing and glorious passion of love for the Law of God.
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Every human action gains in honor, in grace, in all true magnificence, by its regard to things that are to come. It is the far sight, the quiet and confident patience, that, above all other attributes, separate man from man, and near him to his Maker and there is no action nor art, whose majesty we may not measure by this test.
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Give me some mud off a city crossing, some ochre out of a gravel pit and a little whitening and some coal dust and I will paint you a luminous picture if you give me time to gradate my mud and subdue my dust.
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Ignorance, which is contented and clumsy, will produce what is imperfect, but not offensive. But ignorance dis contented and dexterous, learning what it cannot understand, and imitating what it cannot enjoy, produces the most loathsome forms of manufacture that can disgrace or mislead humanity.
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Childhood often holds a truth with its feeble finger, which the grasp of manhood cannot retain,--which it is the pride of utmost age to recover.
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Music when healthy, is the teacher of perfect order, and when depraved, the teacher of perfect disorder.
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We may, without offending any laws of good taste, require of an architect, as we do of a novelist, that he should be not only correct, but entertaining.
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High art consists neither in altering, nor in improving nature but in seeking throughout nature for 'whatsoever things are lovely, whatsoever things are pure' in loving these, in displaying to the utmost of the painter's power such loveliness as is in them, and directing the thoughts of others to them by winning art, or gentle emphasis.
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Race is precisely of as much consequence in man as it is in any animal.
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To know anything well involves a profound sensation of ignorance.
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Expression, sentiment, truth to nature, are essential: but all those are not enough. I never care to look at a picture again, if it be ill composed and if well composed I can hardly leave off looking at it.
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