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My main objective with a home studio - I could get into doing full band demos - but my first objective is to cut things like guitar tracks and solos at home.

John Petrucci

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John Petrucci
Age: 57
Born: 1967
Born: July 12
Composer
Guitarist
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John Peter Petrucci
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More quotes by John Petrucci

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It's hard to answer that from my own perspective because when I'm playing I know where it is coming from and the sources.
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I've always said that there's a huge progressive rock, progressive metal audience out there, in the world.
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Even with Dream Theater, we track in a big studio and everything. But when it comes to doing leads, I don't really require a lot of studio to do that. I need a good sounding room and a Pro Tools rig, and some Neve mic-pres, and I'm good.
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Music is a communication. It's a two-way street. You need people to play to in order to make that connection complete. That's the way we look at it.
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Out of Berklee Dream Theater was born and we've been together ever since. I didn't have to taste that feeling of defeat.
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We have a storage close by where I live, that's very organised. My guitar tech, Matty organised it all, labeled everything.
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You're about to walk on stage and play together for the next few hours so you want to feel connected and make sure that everyone is in the same head space a good head space.
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The style of music that we're playing, this progressive metal style, has always been an upstream battle for us. We don't usually get a lot of commercial exposure.
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Stay focused when you're playing alive, so you're not distracted by something going on.
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I experimented a bunch with Ernie Ball in getting the strings to not flop around too much, but at the same time not to be too thick to where you're playing telephone cables.
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Sometimes I'll hear a certain approach that kinda cathes my ear, like „It's kinda cool what that guy's doing there, or maybe an effect that somebody's using, or a guitar sound, or something that kinda makes me open up. But the funny thing is i realise over time how sort of traditional i am.
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Songs like Spirit Carries On really gets the audience moved and on the same page. It's challenging and all so much fun to play.
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I'm from the school of putting a lot of hours of practice into playing. But at the same time you have to write original music - that's really important, because that's the things that's going to separate you from everybody else, that's going to give you your unique voice as a music that you create.
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Almost 15 with music, we have so many guitars that we developed over the years. The latest one is 'The Majesty' guitar, which I'm really proud of.
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I have to say that our fans have been absolutely wonderful all across the world.
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First and foremost, with everybody we wanted to see if they can pull off the songs, play them correctly, and that they it felt right musically. That's something Mike [Mangini] did, it felt like the band. He really gets the style and delivers in a powerful metal way.
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Real thick strings - your hands start to get fatigued. As much as you practice, and as much experience as you have, and as long as you've been playing, there is a fatigue point during the show, as with anything that's physical. So I wanted to basically pace myself better.
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Jordan Ruddes does [have a home studio], but it's all self-contained. I'll be the only guy with a fully built recording studio. So they'll have to come to me.
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When we make those guitars we make tons of prototypes, I have all those. And once a guitar has come out there's all different versions and colours and woods and I have all those. There's hundreds of them.
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Guitar players get inward and analytical about their playing but when you start to get positive feedback from other players it makes you think that it is coming together.
John Petrucci