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When we make those guitars we make tons of prototypes, I have all those. And once a guitar has come out there's all different versions and colours and woods and I have all those. There's hundreds of them.

John Petrucci

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John Petrucci
Age: 57
Born: 1967
Born: July 12
Composer
Guitarist
Lyricist
Record Producer
Singer
Songwriter
John Peter Petrucci
Come
Guitars
Different
Colours
Make
Tons
Hundreds
Colour
Versions
Woods
Prototypes
Guitar
Prototype

More quotes by John Petrucci

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I'm realizing this more and more that it's one thing to get involved with your own political beliefs and stand behind you believe in personally.
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Music is a communication. It's a two-way street. You need people to play to in order to make that connection complete. That's the way we look at it.
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I'm from the school of putting a lot of hours of practice into playing. But at the same time you have to write original music - that's really important, because that's the things that's going to separate you from everybody else, that's going to give you your unique voice as a music that you create.
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Out of Berklee Dream Theater was born and we've been together ever since. I didn't have to taste that feeling of defeat.
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The only thing I had in my mind [when I was 17 ] was that I was going to be a professional musician. So it was just the right environment.
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Songs like Spirit Carries On really gets the audience moved and on the same page. It's challenging and all so much fun to play.
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It's hard to answer that from my own perspective because when I'm playing I know where it is coming from and the sources.
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I didn't try out for bands when I was younger. I got into guitars intensely a couple of years into playing so much by the time I was graduating high school I was accepted into Berklee College of Music.
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Jordan Ruddes does [have a home studio], but it's all self-contained. I'll be the only guy with a fully built recording studio. So they'll have to come to me.
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I have a lot of guitars. Yeah, I'm not like a guitar collector, I don't have all vintage instruments. I don't even own a Strat or Les Paul. I don't have one.
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We're always in that head space about the audience and less about us at that moment.
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Obviously [Black] Sabbath is definitely a huge name and of course deserving with Ozzy coming back.
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As far as bands doing that in a way where they think they're going to fight the government, the only people they're really hurting is the fans.
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First and foremost, with everybody we wanted to see if they can pull off the songs, play them correctly, and that they it felt right musically. That's something Mike [Mangini] did, it felt like the band. He really gets the style and delivers in a powerful metal way.
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Jordan [Ruddes], he learned that way, and that's what he knows how to do. That's how he kind of approaches all music, whether it's to learn a cover song that we're going to play, or to review Dream Theater music - he always uses charts. That's what he knows. I really rely a lot more on memory.
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Guitar players get inward and analytical about their playing but when you start to get positive feedback from other players it makes you think that it is coming together.
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Stay focused when you're playing alive, so you're not distracted by something going on.
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Usually we're all comfortable playing the songs, but during the song there might be one part where you're like „oh, this part's coming up, I have to really focus, a lot of songs have those moments in them.
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My main objective with a home studio - I could get into doing full band demos - but my first objective is to cut things like guitar tracks and solos at home.
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When we came out, the kind of music that was popular was Nirvana, Soundgarden and Alice In Chains, all that stuff. That was when we released our second album, 'Images And Words', and it was something people werent used to hearing maybe, and it sort of rose above all that somehow, being progressive, or whatever.
John Petrucci