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I've always said that there's a huge progressive rock, progressive metal audience out there, in the world.

John Petrucci

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John Petrucci
Age: 57
Born: 1967
Born: July 12
Composer
Guitarist
Lyricist
Record Producer
Singer
Songwriter
John Peter Petrucci
Always
Metal
World
Metals
Progressive
Rock
Rocks
Huge
Audience

More quotes by John Petrucci

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Guitar players get inward and analytical about their playing but when you start to get positive feedback from other players it makes you think that it is coming together.
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I didn't try out for bands when I was younger. I got into guitars intensely a couple of years into playing so much by the time I was graduating high school I was accepted into Berklee College of Music.
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Many kids and parents ask me, 'What kind of guitar can I buy?' It's a great opportunity for those people to be able to buy a quality guitar that's not necessarily a little Fender or whatever. Ernie Ball signature model guitar is something that's more signature.
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It's hard to answer that from my own perspective because when I'm playing I know where it is coming from and the sources.
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My main objective with a home studio - I could get into doing full band demos - but my first objective is to cut things like guitar tracks and solos at home.
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The only thing I had in my mind [when I was 17 ] was that I was going to be a professional musician. So it was just the right environment.
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Going to the Grammys, being nominated for a Grammy, that was a really big deal for me, for us as a band.
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Songs come alive every night and can be a new experience for someone. You might have someone in the audience who has never seen us before and hearing it for the first time. We are aware of that.
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I'm realizing this more and more that it's one thing to get involved with your own political beliefs and stand behind you believe in personally.
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I think I'm a father, but a father of three kids! :)
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I have a lot of guitars. Yeah, I'm not like a guitar collector, I don't have all vintage instruments. I don't even own a Strat or Les Paul. I don't have one.
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Even with Dream Theater, we track in a big studio and everything. But when it comes to doing leads, I don't really require a lot of studio to do that. I need a good sounding room and a Pro Tools rig, and some Neve mic-pres, and I'm good.
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Sometimes I'll hear a certain approach that kinda cathes my ear, like „It's kinda cool what that guy's doing there, or maybe an effect that somebody's using, or a guitar sound, or something that kinda makes me open up. But the funny thing is i realise over time how sort of traditional i am.
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As far as bands doing that in a way where they think they're going to fight the government, the only people they're really hurting is the fans.
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I have to say that our fans have been absolutely wonderful all across the world.
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Personality wise, we are all kindred spirits. I've said this before if we [with Mike Mangini ] ever went to high school together we would have been friends. He is just one of us! We felt that immediate connect.
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Songs like Spirit Carries On really gets the audience moved and on the same page. It's challenging and all so much fun to play.
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In Japan they're definitely more over the top. They had four Boogie stacks and 20 guitars. But otherwise it's pretty much the same thing, except there's a translator. It's really nice.
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To be in Boston, which is a great city and which is full of many colleges and young kids, and to be around that many people that were at the same point in their lives, who played guitar or whatever instrument - it was just perfect. It was a great environment.
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You're about to walk on stage and play together for the next few hours so you want to feel connected and make sure that everyone is in the same head space a good head space.
John Petrucci