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I always wanted it to be multi-cam from the beginning. In the first seeds of the idea, I wanted a live audience, multi-cam show. That was very important for me.

John Mulaney

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John Mulaney
Age: 42
Born: 1982
Born: August 26
Actor
Screenwriter
Stand-Up Comedian
Television Actor
Writer
Chicago
Illinois
John Edmund Mulaney
Always
Idea
Shows
Ideas
Wanted
Multi
Live
Seeds
Firsts
Beginning
First
Audience
Important
Show

More quotes by John Mulaney

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The Doula was and is a very, very special episode to me because I think it's very funny and very weird and it also is 100 percent based on my life, in that I fainted three times during Sex Ed in real life the three different years.
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I plan to join the 'SNL' band as a maraca player and stand behind saxophonist Lenny Pickett. That way they will at least cut to me before commercial breaks. I'll be sure to look right into camera.
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You can't always see both sides of the story. Eventually, you have to pick a side and stick with it. No more equivocating. You have to commit.
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In every case, I find pre-planning noble, but not always that useful in comedy. You know comedy once you're doing it.
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The more you do stuff, the better you get at dealing with how you still fail at it a lot of the time.
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Being president looks like the worst job in the world.
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A lot of comedy clubs are set up with people sitting at little tables and you have everything from the way they are seated to them ordering or taking a sip of a drink, these can make a comedian go harder and faster in a club.
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Maybe I just have high self-esteem, but I have a lot that I really enjoy.
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I had a lot of fun writing things that died during dress rehearsal. Sometimes I remember the crazy ones that died even more fondly than the ones that did really well.
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An episode that is near and dear to my heart is the entire cast in one room for the night because we get bed bugs in our apartment building so we have to stay with Martin Short.
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I also had Elliot Gould and Martin Short and Nasim Pedrad - let alone Zack Pearlman who is going to be a huge star, as is Seaton Smith - out there and I love writing for them and just sitting back and watching them be excellent. And when you are sitting across from Elliott Gould sharing a scene it just raises your game.
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I kind of thought, wouldn't it be funny to take a swing at being on the weird side of mainstream?
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I've always believed that you often need less. You don't need to hear why people are friends, you don't need to hear why people are roommates, you don't need to hear why someone would help a friend to do something.
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I have a lot of stories about being a kid because it was the last time I was interesting.
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I have tons of jokes with moments in them over the years in stand-up that don't get a laugh but I love them so they stay.
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The best-case scenario is everything goes perfect and smooth, but we're also a new and weird show. So all my conversations were, Hey last night didn't go perfect but we kind of know what we've got in store for everybody episode-wise.
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I remember writing standup jokes without having done sets. But as soon as I did my first set, it didn't matter. Everything I thought would work didn't work. And everything I was iffy on was funny.
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I like making fun of myself a lot. I like being made fun of, too. I've always enjoyed it. There's just something really, really funny about someone tearing into me.
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I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
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I really set out to do this traditional looking and traditional sounding multi-cam sitcom, but then make the world as elastic as an animated show could be. Make the world as surreal as we wanted it to be.
John Mulaney