Quote

I plan to join the 'SNL' band as a maraca player and stand behind saxophonist Lenny Pickett. That way they will at least cut to me before commercial breaks. I'll be sure to look right into camera.

John Mulaney

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John Mulaney
Age: 42
Born: 1982
Born: August 26
Actor
Screenwriter
Stand-Up Comedian
Television Actor
Writer
Chicago
Illinois
John Edmund Mulaney
Least
Plan
Break
Cutting
Saxophonist
Sure
Band
Lenny
Look
Plans
Breaks
Looks
Behinds
Commercial
Right
Behind
Join
Way
Player
Camera
Stand
Cameras

More quotes by John Mulaney

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I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
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You can't always see both sides of the story. Eventually, you have to pick a side and stick with it. No more equivocating. You have to commit.
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I definitely look like a toddler. I feel comfortable and I have a lot of fun out there [John Mulaney Show]. And if I were to be extremely egotistical, I'd say I got a tiny bit better.
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Being president looks like the worst job in the world.
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As I got into high school and after puberty, I was a little more inward. I was a real extrovert when I was little, but I don't know, I just got quieter With my friends, I was still an extrovert.
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Part of standup is being loose and having a good time yourself and that translates to the audience.
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Ill book a ticket on some garbage airline. I dont wanna name an actual airline so lets make one up, lets just call it like Delta Airlines
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I like that idea that what I do might be mainstream. Might be.
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Maybe I just have high self-esteem, but I have a lot that I really enjoy.
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The best-case scenario is everything goes perfect and smooth, but we're also a new and weird show. So all my conversations were, Hey last night didn't go perfect but we kind of know what we've got in store for everybody episode-wise.
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In every case, I find pre-planning noble, but not always that useful in comedy. You know comedy once you're doing it.
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People having expectations maybe means they've enjoyed what I've done.
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I don't know if there's a strategy really so much as, like I learned doing standup and had to learn fast, you always just try to give your favorite, strongest stuff as early as possible and you start with what you like the most.
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I remember writing standup jokes without having done sets. But as soon as I did my first set, it didn't matter. Everything I thought would work didn't work. And everything I was iffy on was funny.
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If I was at the Comedy Cellar at midnight you yelled at the back of the room. But you, for television, play it to the camera because yes you're communicating to the people at home using the studio audience that's right in front of you as a guide for that.
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I have a lot of stories about being a kid because it was the last time I was interesting.
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Everyone's very relaxed about brand names in television.
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Going on the road for long stretches can seem daunting, and I certainly miss being home sometimes, but the chance to see so many different cities, let alone perform in them, is something I am really grateful for.
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I've always believed that you often need less. You don't need to hear why people are friends, you don't need to hear why people are roommates, you don't need to hear why someone would help a friend to do something.
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Things don't exist until they exist.
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