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In computer animation, every detail has to be thought out, designed, modeled, shaded, placed and lit. The more you add, the more computer memory you need.
John Lasseter
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John Lasseter
Age: 67
Born: 1957
Born: January 12
Animator
Executive Producer
Film Director
Film Editor
Film Producer
Screenwriter
Hollywood
California
John Alan Lasseter
John A. Lasseter
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Animation
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More quotes by John Lasseter
There’s never a wrong idea. You just keep throwing stuff out and inevitably there are elements of different things that inspire a character or environment.
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Sure, they were simple desk lamps with only a minimal amount of movement, but you could immediately tell that Luxo Jr. was a baby, and that the big one was his mother. In that short little film, computer animation went from a novelty to a serious tool for filmmaking.
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I believe in the nobility of entertaining people and I take great, great pride that people are willing to give me two or three hours of their busy lives.
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This is what I always tell my filmmakers-you have to do tons of research, because you don't know where the inspiration is going come from.
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At Pixar, after every movie we have postmortum meetings where we discuss what worked and what didn't work.
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Quality is the best business plan.
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Disney Infinity gives you the ability to be creative in a way that nobody's ever seen before.
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Your voice is worthwhile. Have faith in it.
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Every single Pixar film, at one time or another, has been the worst movie ever put on film. But we know. We trust our process. We don't get scared and say, 'Oh, no, this film isn't working.'
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I have this saying. Quality is the best business plan. I believe so strongly in that.
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We make the kind of movies we like to watch. I love to laugh. I love to be amazed by how beautiful it is. But I also love to be moved to tears. There's lots of heart in our films.
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I've got Disney blood running through my veins.
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Toys are put on this Earth to be played with by a child.
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I think the painted backgrounds in animations are absolutely stunningly beautiful. There's something really special about this medium. I don't believe audiences have grown past it. I think what audiences love is to be entertained-thoroughly, deeply entertained, and that's what I've always set out to do.
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My father pulled into Pearl Harbor four days after the bombing, and he said, everything was still burning. He said they never told the public how bad it was. It was really bad.
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If you can think about it, you can create it.
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Animation is the one type of movie that really does play for the entire audience. Our challenge is to make stories that connect for kids and adults.
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I realized that people make cartoons for a living. It had never dawned on me that you could do this as a career.
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What's fun about the story development at Pixar is it's a journey. You don't just write a script and then that's the movie you make. It's just constant evolution and being open to that and that collaboration with the voice actors and with the artists and animators at Pixar.
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When I look at the success I have, it's because of my creative thinking skills.
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