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Like the tail fins on fifties American cars or the parabolic shapes of Populuxe furniture, 'West Side Story' incarnates the dream of momentum in the golden age of the twentieth century.
John Lahr
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John Lahr
Age: 83
Born: 1941
Born: July 12
Biographer
Critic
Journalist
LA
California
John Henry Christopher Lahr
John Henry Lahr
Story
Golden
Fins
American
Shapes
Fifties
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Car
Twentieth
Stories
West
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Momentum
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Furniture
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Cars
Incarnates
More quotes by John Lahr
Writers don't always know what they mean - that's why they write. Their work stands in for them. On the page, the reader meets the authoritative, perfected self in life, the writer is lumbered with the uncertain, imperfect one.
John Lahr
Although the 'New York Times' annually declares that Broadway is on its deathbed, news of its demise is greatly exaggerated. There's a lot of life yet in the old tart.
John Lahr
I know in an existential sense that life can change on a dime ... something has instantly and inexorably changed in American life.
John Lahr
I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
John Lahr
Death of a Salesman' is a brilliant taxonomy of the spiritual atrophy of mid-twentieth-century white America.
John Lahr
A prose writer never sees a reader walk out of a book for a playwright, it's another matter. An audience is an invaluable education. In my experience, theatre artists don't know what they've made until they've made it.
John Lahr
When Elvis made his mass-media debut on 'The Ed Sullivan Show' - his notorious gyrations filmed only from the waist up - I fell off the family chaise longue with delight.
John Lahr
In 1957, “West Side Story” had introduced the musical to the reckless dark side of teen-age life “Bye Bye Birdie,” set in Sweet Apple, Ohio, where the citizens apparently dress mostly in chartreuse, mauve, orange, periwinkle, and turquoise, was a walk on the bright side.
John Lahr
Society drives people crazy with lust and calls it advertising.
John Lahr
First and foremost, I'd say my father, Bert Lahr ... gave me a love of theatre--its kinetic and emotional potential and its raffish backstage fun--and also set an artistic example of the importance of corrupting an audience with pleasure.
John Lahr
Tony Awards boost Broadway attendance and sell the shows on the road. They're the sugar to swat the fly. If you needed more explanation for the yearly ballyhoo, in the metropolitan areas where a Broadway show plays, the local economy is boosted by three and a half times the gross ticket sales. So when we're talking Tonys, we're talking moolah.
John Lahr
Samuel Beckett's 'Waiting for Godot,' billed as 'the laugh sensation of two continents,' made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot.
John Lahr
We live in a time of terror, and contrary to what we see on television and allow ourselves to believe, the real goal of terror is not to kill people but to kill thought to so demoralize a society that it implodes from within.
John Lahr
That state of mind - of being beside yourself - is wonderful. As you get older, you're just very aware of a sense of an ending. You're grateful for every day.
John Lahr
In Britain, the theatre has traditionally been where the public goes to think about its past and debate its future. The formation of the National Theatre, at the Old Vic, near the South Bank, in 1963, institutionalized the symbolic importance of drama by giving it both a building and state funding.
John Lahr
The history of theatre is the history of first nights.
John Lahr
Accustomed to the veneer of noise, to the shibboleths of promotion, public relations, and market research, society is suspicious of those who value silence.
John Lahr
Dame Edna is that rarest sighting in our time of the absolute comic, an inspired personification of caprice whose comedy answered the primal call to take the audience for a tumble.
John Lahr
I detest literature. I abominate the theatre. I have a horror of culture. I am only interested in magic!
John Lahr
Most of the people dishing out judgment have no working experience of the theatre, have not written a professional play, a sketch, or even a joke have never worked in a theatre, taken an acting class, or published any extended piece of work. They are creative virgins everything they know about theatre is book-learned and second-hand.
John Lahr
