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Death of a Salesman' is a brilliant taxonomy of the spiritual atrophy of mid-twentieth-century white America.

John Lahr

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John Lahr
Age: 83
Born: 1941
Born: July 12
Biographer
Critic
Journalist
LA
California
John Henry Christopher Lahr
John Henry Lahr
Century
Spiritual
White
Death
Taxonomy
America
Atrophy
Salesman
Twentieth
Brilliant

More quotes by John Lahr

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Society drives people crazy with lust and calls it advertising.
John Lahr
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Although the 'New York Times' annually declares that Broadway is on its deathbed, news of its demise is greatly exaggerated. There's a lot of life yet in the old tart.
John Lahr
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Tony Awards boost Broadway attendance and sell the shows on the road. They're the sugar to swat the fly. If you needed more explanation for the yearly ballyhoo, in the metropolitan areas where a Broadway show plays, the local economy is boosted by three and a half times the gross ticket sales. So when we're talking Tonys, we're talking moolah.
John Lahr
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I know in an existential sense that life can change on a dime ... something has instantly and inexorably changed in American life.
John Lahr
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First and foremost, I'd say my father, Bert Lahr ... gave me a love of theatre--its kinetic and emotional potential and its raffish backstage fun--and also set an artistic example of the importance of corrupting an audience with pleasure.
John Lahr
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In 1957, “West Side Story” had introduced the musical to the reckless dark side of teen-age life “Bye Bye Birdie,” set in Sweet Apple, Ohio, where the citizens apparently dress mostly in chartreuse, mauve, orange, periwinkle, and turquoise, was a walk on the bright side.
John Lahr
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The pigeons are shitting on George M. Cohan. I shoo them off. They fly up and perch on his hat. Cohan would've never given his regards to Broadway if he saw how dirty they kept his statue in Duffy Square. New Yorkers walk right by. Nobody cares.
John Lahr
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Like the tail fins on fifties American cars or the parabolic shapes of Populuxe furniture, 'West Side Story' incarnates the dream of momentum in the golden age of the twentieth century.
John Lahr
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A prose writer never sees a reader walk out of a book for a playwright, it's another matter. An audience is an invaluable education. In my experience, theatre artists don't know what they've made until they've made it.
John Lahr
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That state of mind - of being beside yourself - is wonderful. As you get older, you're just very aware of a sense of an ending. You're grateful for every day.
John Lahr
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Broadway shows in New York draw two times the attendance of all New York sports teams put together.
John Lahr
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I detest literature. I abominate the theatre. I have a horror of culture. I am only interested in magic!
John Lahr
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When Elvis made his mass-media debut on 'The Ed Sullivan Show' - his notorious gyrations filmed only from the waist up - I fell off the family chaise longue with delight.
John Lahr
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In Britain, the theatre has traditionally been where the public goes to think about its past and debate its future. The formation of the National Theatre, at the Old Vic, near the South Bank, in 1963, institutionalized the symbolic importance of drama by giving it both a building and state funding.
John Lahr
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Nobody has ever gone broke selling escape to the American public.
John Lahr
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The history of theatre is the history of first nights.
John Lahr
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Accustomed to the veneer of noise, to the shibboleths of promotion, public relations, and market research, society is suspicious of those who value silence.
John Lahr
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Did you come of age in those sweet summers of the early nineteen-sixties, when the airwaves were full of rock and roll's doo-wop promise of joy and the nation was full of J.F.K.'s eloquent promise of a New Frontier? I did. Life seemed to be laid out before us like a banquet everything was for the taking, especially hearts.
John Lahr
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Writers don't always know what they mean - that's why they write. Their work stands in for them. On the page, the reader meets the authoritative, perfected self in life, the writer is lumbered with the uncertain, imperfect one.
John Lahr
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I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
John Lahr