There are definitely parts of me in most of the protagonists I write, but I find a bit of distance can be useful, so I often find myself better able to write from a point of view that isn't exactly my own.

I've always viewed my career with some suspicion, like I don't want to count on it to be the only thing I do. Partly that has to do with feeling like an imposter, like we all do sometimes, and partly I like doing other things, and being a full-time artist takes a focus I recognise I don't have.

I always go into listening to a new record by Gord Downie solo or The Tragically Hip and think, Well, I know what this is going to be, lyrically. Every song starts and then I think, Oh, I have no idea where that comes from. He has this entirely original voice, both literal and metaphorical.

I was listening to this interview with fiction writer George Saunders the other day, and he said something about how the role of a writer is to build a more detailed world. I think it applies to what Gord Downie is doing with his body of work, which is to build a more detailed world and there's something really political about that.

In my mind I still qualify as punk, though I know four out of five punks would disagree.

A more detailed world is a more complicated and complex one, and therefore a more empathetic one. I feel Gord's Downie lyrics are exceptionally empathetic, or that's what they accomplish. The fact that they can cross all those cultural cliques and boundaries really amplifies that, to me.

I still think of myself as punk, because the way I became empowered to play music is entirely due to punk bands.

John Berger once defined music by saying that it began as a howl, became a prayer, then a lament, and still contains the elements of all three. I think that's pretty wise. That's about the only way I know how to explain what music is.

That's something I've certainly taken from writers like Gord Downie is that there is a whole potential for breaking out of meter. Even if you don't do it, you're permitted to. He gave a lot of writers permission to do that, to expand and push out the borders of what a rock song can contain.