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Films don't take as long as people think. 'Harry Potter,' people always used to say, 'Well, my God, do you ever get any time to yourself?' I think I did, in 'Harry Potter,' over a 12 year period I did five days. So it's not exactly exhausting.

John Hurt

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John Hurt
Age: 77 †
Born: 1940
Born: January 22
Died: 2017
Died: January 27
Actor
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Film Actor
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John Vincent Hurt
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People are not what they seem to be according to their looks.
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Once you've started to dig a hole, you can't get out of it.
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I turn up in Los Angeles every now and then, so I can get some big money films in order to finance my smaller money films.
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[Bong Joon-ho'] is quite different but technically, he is as clever as [Alfred] Hitchcock. That's saying something. In humanitarian terms, I think he is much cleverer. He is one of the best directors I've worked with. I absolutely adore working with him.
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I think particularly Daniel [Radcliffe], he knows what he's doing. I'm sure he'll finish up a producer. He really realized what it was, knew the size of it. And it was gigantic, the biggest franchise [Harry Potter] in history.
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If you do an interview in 1960, something it's bound to change by the year 2000. And if it doesn't, then there's something drastically wrong.
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I am not an enormous believer in research being the be-all and end-all. I get suspicious when I read about actors spending six months in a clinic, say, in order to play someone who is sick.
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Elephant Man [movie] was much more difficult physically. This had a couple of days. It was quite tricky. I had my leg strapped up behind me and I am a little older now. It was all marvelous, though. He [Bong Joon-ho] is one of the most fabulous directors in the world.
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If it's a low-brow bawdy comedy, it's got to stand the chance of succeeding as such. If it's an intellectual piece, a drama, and so forth. And of course, once you've determined the level of the piece, do it the best you know how. And then don't make concessions. To audiences, or to pursestrings, or whatever.
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It would be difficult to have any unfulfilled ambitions because I don't have any ambitions. I've never been that kind of performer.
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When you're really working well with a director then you can be as outrageous as you like and so can he. And there's no worry about it.
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If you put on an Oscar Wilde [play], it will interest those who are interested in Oscar Wilde. But it won't interest anybody else, because they won't get that wit.
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It's a great relief to feel that you're working with someone rather than for someone. You don't feel that you're being tested, as it were.
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If you listen, you learn if you talk, you don't.
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You collect as much information as you can and then you put it into the mulberry of your mind and hope that you come up with a decent wine. Sometimes you do sometimes you don't.
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Society is constantly recalibrating, redefining what it considers to be moral and immoral.
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My fathers a clergyman, and he was in the mission field for a certain amount of time in British Honduras, which is now Belize.
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Be true to what you want to say, or whatever style it is that you've chosen or genre you've chosen. Do it well! My criteria always has been that the piece must stand the chance of succeeding on the level it's intended to succeed on.
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My springboard is always the script. Even if the script is taken from a novel, I often haven't read the novel...
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Often I don't read novels. The script is more important, that's the springboard to your imagination, really. Peripheral information can be interesting to read but you can't use it when it's not in the script.
John Hurt