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I find it difficult to say, like which child do you prefer the most, and its a sort of surface choice. I've never known how to quite answer that one adequately.

John Hurt

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John Hurt
Age: 77 †
Born: 1940
Born: January 22
Died: 2017
Died: January 27
Actor
Character Actor
Explorer
Film Actor
Stage Actor
Television Actor
Voice Actor
John Vincent Hurt
Sir John Vincent Hurt
Sir John Hurt
Choices
Adequately
Child
Prefer
Known
Surface
Difficult
Answer
Find
Choice
Children
Answers
Never
Sort
Like
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My parents felt that acting was far too insecure. Don't ask me what made them think that painting would be more secure.
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The truth is rarely true and never simple.
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It's a great relief to feel that you're working with someone rather than for someone. You don't feel that you're being tested, as it were.
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I never quite understand why we watch the news. There doesn't really seem much point watching somebody tell you what the news is when you could quite easily listen to it on the radio...
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You collect as much information as you can and then you put it into the mulberry of your mind and hope that you come up with a decent wine. Sometimes you do sometimes you don't.
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The first film is everything you want to say and how you want to say it. Lots of directors will do that and do it really well, but the second film is not so easy.
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I loathed school. I don't have an academic mind, and besides I was so bored by my teachers! How teachers can take a child's inventiveness and say yes, yes, in that pontifical way of theirs, and smother everything!
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As Beckett said, it's not enough to die, one has to be forgotten as well.
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I don't like no confusion.
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Nudes are the greatest to paint. Everything you can find in a landscape or a still life or anything else is there: darkness and light, character dimension, texture. I painted heads too, of course.
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Be true to what you want to say, or whatever style it is that you've chosen or genre you've chosen. Do it well! My criteria always has been that the piece must stand the chance of succeeding on the level it's intended to succeed on.
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I've got plenty of train memories. I was sent to school when I was eight years old in 1948 in Kent. So I had to go through London in 1948, just after the war. Many ,many strange experiences.
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Films don't take as long as people think. 'Harry Potter,' people always used to say, 'Well, my God, do you ever get any time to yourself?' I think I did, in 'Harry Potter,' over a 12 year period I did five days. So it's not exactly exhausting.
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I put everything I can into the mulberry of my mind and hope that it is going to ferment and make a decent wine. How that process happens, I'm sorry to tell you I can't describe.
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Lotte Lenya was all emotion. She wasn't anything but emotion. She was not an intellectual.
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Acting is an imaginative leap, really, isn't it? And imaginations prosper in different circumstances. And it's being able - I can't tell you how one does, but one tries to read those circumstances correctly.
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I stopped asking a long time ago, why would you want me to play that? I'm an actor. That's what I do.
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I think it's interesting to see how things come into and go out of fashion.
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My mother's father drank and her mother was an unhappy, neurotic woman, and I think she has lived all her life afraid of anyone who drinks for fear something like that might happen to her.
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I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because that is the basis of the film industry. That's where the film-makers come from, it's where they start and sometimes its where they should have stayed.
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