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We shot ['Sailcloth'] five days down in Cornwall, and you couldn't have asked for a more beautiful place. It was a couple of tough days at sea, but when I say tough it was still enjoyable.

John Hurt

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John Hurt
Age: 77 †
Born: 1940
Born: January 22
Died: 2017
Died: January 27
Actor
Character Actor
Explorer
Film Actor
Stage Actor
Television Actor
Voice Actor
John Vincent Hurt
Sir John Vincent Hurt
Sir John Hurt
Days
Enjoyable
Five
Shot
Place
Shots
Beautiful
Sea
Stills
Tough
Still
Couldn
Asked
Couple
Cornwall

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I loathed school. I don't have an academic mind, and besides I was so bored by my teachers! How teachers can take a child's inventiveness and say yes, yes, in that pontifical way of theirs, and smother everything!
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It's quite a dangerous career move to go wilfully on making films that may not find a distributor.
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[Bong Joon-ho'] is quite different but technically, he is as clever as [Alfred] Hitchcock. That's saying something. In humanitarian terms, I think he is much cleverer. He is one of the best directors I've worked with. I absolutely adore working with him.
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People are not what they seem to be according to their looks.
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My fathers a clergyman, and he was in the mission field for a certain amount of time in British Honduras, which is now Belize.
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Very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons.
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I first decided that I wanted to act when I was 9. And I was at a very bizarre prep school at the time, to say high Anglo-Catholic would be a real English understatement.
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I find myself more interested in producing. Not because I'm interested in the financial side of it, but just getting together the right elements to make a film, that side of production. I would not be good on the financial side. It would be a disaster from the beginning.
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We all have our limitations.
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In anything really, it's finding the reality. You can't be 'real,' but you can create a reality. And that created reality is what the audience believes in. And that's essential. Because if the audience doesn't believe that, they're never going to trust you. And if they don't trust you, you can't lead them up the mountain.
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I never had any ambition to be a star, or whatever it is called, and I'm still embarrassed at the word.
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We're all far too afraid of being so arrogant to say Either you can or you can't.
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It's a great relief to feel that you're working with someone rather than for someone. You don't feel that you're being tested, as it were.
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Lotte Lenya was all emotion. She wasn't anything but emotion. She was not an intellectual.
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Be true to what you want to say, or whatever style it is that you've chosen or genre you've chosen. Do it well! My criteria always has been that the piece must stand the chance of succeeding on the level it's intended to succeed on.
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I've done lots of films with first directors, so it's not unusual for me.
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In the States it's more and more difficult to get an independent film off the ground, and you certainly wont get the opportunity to play something like that in a studio movie.
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If you do an interview in 1960, something it's bound to change by the year 2000. And if it doesn't, then there's something drastically wrong.
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The truth is rarely true and never simple.
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I don't like no confusion.
John Hurt