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I've got plenty of train memories. I was sent to school when I was eight years old in 1948 in Kent. So I had to go through London in 1948, just after the war. Many ,many strange experiences.

John Hurt

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John Hurt
Age: 77 †
Born: 1940
Born: January 22
Died: 2017
Died: January 27
Actor
Character Actor
Explorer
Film Actor
Stage Actor
Television Actor
Voice Actor
John Vincent Hurt
Sir John Vincent Hurt
Sir John Hurt
Memories
Kent
War
Sent
School
Plenty
Many
London
Years
Experiences
Eight
Train
Strange

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I was keen on sports-that's how my nose got this way. It's not actually broken the nose was just pushed up a little bit and moved over. It's an aquiline nose, quite Irish.
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The clergy is in the same business as actors, just a different department.
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I think it would be very difficult to play somebody if they didn't think they had any virtues or redeeming characteristics.
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If I hadn't been a part of [Harry Potter] I would have been deeply upset.
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You can see areas where maybe you got a bit lazy, perhaps, or you see when you were really on form. I think an actor is very like a sportsman in that respect. You have periods where you're in terrific form.
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I find it difficult to say, like which child do you prefer the most, and its a sort of surface choice. I've never known how to quite answer that one adequately.
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I think particularly Daniel [Radcliffe], he knows what he's doing. I'm sure he'll finish up a producer. He really realized what it was, knew the size of it. And it was gigantic, the biggest franchise [Harry Potter] in history.
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You have to learn to cut your cloth accordingly. But it seems to be a human weakness. Once you start making a lot of money, you just join in with everyone else. It's like the banks, and we've seen what happens there.
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I find myself more interested in producing. Not because I'm interested in the financial side of it, but just getting together the right elements to make a film, that side of production. I would not be good on the financial side. It would be a disaster from the beginning.
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I first decided that I wanted to act when I was 9. And I was at a very bizarre prep school at the time, to say high Anglo-Catholic would be a real English understatement.
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I turn up in Los Angeles every now and then, so I can get some big money films in order to finance my smaller money films.
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I think it's interesting to see how things come into and go out of fashion.
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I'm very director oriented.
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As Beckett said, it's not enough to die, one has to be forgotten as well.
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I never quite understand why we watch the news. There doesn't really seem much point watching somebody tell you what the news is when you could quite easily listen to it on the radio...
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The common misconception is that we create films for ourselves. And I really don't do it for myself. I get stopped in the street by people saying, Do you mind if I say this about your work? Do I mind? I'm delighted. I do it for you. It's not for me. It's my living, yes, sure.
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We're all far too afraid of being so arrogant to say Either you can or you can't.
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My parents felt that acting was far too insecure. Don't ask me what made them think that painting would be more secure.
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I love working with Lars [von Trier]! I've worked with him three times. I did the narration of Dogville and Manderlay.
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I am not an enormous believer in research being the be-all and end-all. I get suspicious when I read about actors spending six months in a clinic, say, in order to play someone who is sick.
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