Quote

When you're really working well with a director then you can be as outrageous as you like and so can he. And there's no worry about it.

John Hurt

Change background

T
T
T

Change font

TAGS & TOPICS

John Hurt
Age: 77 †
Born: 1940
Born: January 22
Died: 2017
Died: January 27
Actor
Character Actor
Explorer
Film Actor
Stage Actor
Television Actor
Voice Actor
John Vincent Hurt
Sir John Vincent Hurt
Sir John Hurt
Worry
Working
Wells
Well
Really
Like
Outrageous
Director
Directors

More quotes by John Hurt

Image
The common misconception is that we create films for ourselves. And I really don't do it for myself. I get stopped in the street by people saying, Do you mind if I say this about your work? Do I mind? I'm delighted. I do it for you. It's not for me. It's my living, yes, sure.
John Hurt
Image
Acting is an imaginative leap, really, isn't it? And imaginations prosper in different circumstances. And it's being able - I can't tell you how one does, but one tries to read those circumstances correctly.
John Hurt
Image
I find it difficult to say, like which child do you prefer the most, and its a sort of surface choice. I've never known how to quite answer that one adequately.
John Hurt
Image
Lotte Lenya was all emotion. She wasn't anything but emotion. She was not an intellectual.
John Hurt
Image
I've done lots of films with first directors, so it's not unusual for me.
John Hurt
Image
It's quite a dangerous career move to go wilfully on making films that may not find a distributor.
John Hurt
Image
It would be difficult to have any unfulfilled ambitions because I don't have any ambitions. I've never been that kind of performer.
John Hurt
Image
In the States it's more and more difficult to get an independent film off the ground, and you certainly wont get the opportunity to play something like that in a studio movie.
John Hurt
Image
My parents felt that acting was far too insecure. Don't ask me what made them think that painting would be more secure.
John Hurt
Image
You collect as much information as you can and then you put it into the mulberry of your mind and hope that you come up with a decent wine. Sometimes you do sometimes you don't.
John Hurt
Image
In anything really, it's finding the reality. You can't be 'real,' but you can create a reality. And that created reality is what the audience believes in. And that's essential. Because if the audience doesn't believe that, they're never going to trust you. And if they don't trust you, you can't lead them up the mountain.
John Hurt
Image
Elephant Man [movie] was much more difficult physically. This had a couple of days. It was quite tricky. I had my leg strapped up behind me and I am a little older now. It was all marvelous, though. He [Bong Joon-ho] is one of the most fabulous directors in the world.
John Hurt
Image
By the time I came to do the final ones [Harry Potter's film], I was working on something that was massively successful. There was a huge difference in indulgence and all sorts of stuff. A very big difference in peoples' attitudes. They were very pleased with themselves. In human terms, it was quite interesting to see the difference.
John Hurt
Image
Bong Joon-ho is enormously sensitive to performance. He knows what he needs to see and that's all he needs to shoot. He is so daring. We don't do that in the west. We shoot everything.
John Hurt
Image
The British tradition, basically, is to go to the character. And the Hollywood tradition, shall we say, is basically to take the character to the performer.
John Hurt
Image
I've spent a great deal of my life doing independent film, and that is partly because the subject matter interests me and partly because that is the basis of the film industry. That's where the film-makers come from, it's where they start and sometimes its where they should have stayed.
John Hurt
Image
My mother's father drank and her mother was an unhappy, neurotic woman, and I think she has lived all her life afraid of anyone who drinks for fear something like that might happen to her.
John Hurt
Image
Anything which retains interest is optimistic. When the characters become disinterested, it's pessimistic. Does that make sense?
John Hurt
Image
I've got plenty of train memories. I was sent to school when I was eight years old in 1948 in Kent. So I had to go through London in 1948, just after the war. Many ,many strange experiences.
John Hurt
Image
I think it would be very difficult to play somebody if they didn't think they had any virtues or redeeming characteristics.
John Hurt