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When you're really working well with a director then you can be as outrageous as you like and so can he. And there's no worry about it.

John Hurt

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John Hurt
Age: 77 †
Born: 1940
Born: January 22
Died: 2017
Died: January 27
Actor
Character Actor
Explorer
Film Actor
Stage Actor
Television Actor
Voice Actor
John Vincent Hurt
Sir John Vincent Hurt
Sir John Hurt
Well
Really
Like
Outrageous
Director
Directors
Worry
Working
Wells

More quotes by John Hurt

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I never had any ambition to be a star, or whatever it is called, and I'm still embarrassed at the word.
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I don't like no confusion.
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I find it difficult to say, like which child do you prefer the most, and its a sort of surface choice. I've never known how to quite answer that one adequately.
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It's a great relief to feel that you're working with someone rather than for someone. You don't feel that you're being tested, as it were.
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I think particularly Daniel [Radcliffe], he knows what he's doing. I'm sure he'll finish up a producer. He really realized what it was, knew the size of it. And it was gigantic, the biggest franchise [Harry Potter] in history.
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You can see areas where maybe you got a bit lazy, perhaps, or you see when you were really on form. I think an actor is very like a sportsman in that respect. You have periods where you're in terrific form.
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I think [ Lars Von Trier] is a fantastic filmmaker. No question. You've got to be ready for him. He's sharp and he's got a sharp tongue and I love that. He doesn't mind it back.
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If you do an interview in 1960, something it's bound to change by the year 2000. And if it doesn't, then there's something drastically wrong.
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I stopped asking a long time ago, why would you want me to play that? I'm an actor. That's what I do.
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I think you can get better in mathematics on a school level, but when you're talking about being a mathematician, I think that's definitely a gift of genes or whatever.
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If I hadn't been a part of [Harry Potter] I would have been deeply upset.
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I am not an enormous believer in research being the be-all and end-all. I get suspicious when I read about actors spending six months in a clinic, say, in order to play someone who is sick.
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Very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons.
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In anything really, it's finding the reality. You can't be 'real,' but you can create a reality. And that created reality is what the audience believes in. And that's essential. Because if the audience doesn't believe that, they're never going to trust you. And if they don't trust you, you can't lead them up the mountain.
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Acting is an imaginative leap, really, isn't it? And imaginations prosper in different circumstances. And it's being able - I can't tell you how one does, but one tries to read those circumstances correctly.
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I never quite understand why we watch the news. There doesn't really seem much point watching somebody tell you what the news is when you could quite easily listen to it on the radio...
John Hurt
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I got used to [ Lars Von Trier] doing the narration for 'Dogville' and 'Manderley.' And I said to him I do these narrations for you but you never put me in a film! So he called my bluff and put me in 'Melancholia' and I was thrilled about that.
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I loathed school. I don't have an academic mind, and besides I was so bored by my teachers! How teachers can take a child's inventiveness and say yes, yes, in that pontifical way of theirs, and smother everything!
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Society is constantly recalibrating, redefining what it considers to be moral and immoral.
John Hurt
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I have lots of favourite memories but I can't say that I have a favourite film.
John Hurt