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My fathers a clergyman, and he was in the mission field for a certain amount of time in British Honduras, which is now Belize.

John Hurt

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John Hurt
Age: 77 †
Born: 1940
Born: January 22
Died: 2017
Died: January 27
Actor
Character Actor
Explorer
Film Actor
Stage Actor
Television Actor
Voice Actor
John Vincent Hurt
Sir John Vincent Hurt
Sir John Hurt
Mission
Time
Missions
British
Field
Fields
Honduras
Clergyman
Amount
Clergymen
Father
Fathers
Certain

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It's a great relief to feel that you're working with someone rather than for someone. You don't feel that you're being tested, as it were.
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It's quite interesting, looking back at the first one [film about Harry Potter], nobody knew whether or not it was going to be successful as a film. The books were of course already very successful, but that's happened before, where the books were successful and the films weren't at all. But it turned out that they were.
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Life is full of ironies and paradoxes.
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We're all far too afraid of being so arrogant to say Either you can or you can't.
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Lotte Lenya was all emotion. She wasn't anything but emotion. She was not an intellectual.
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If you do an interview in 1960, something it's bound to change by the year 2000. And if it doesn't, then there's something drastically wrong.
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I'm besotted by [Kirsten Dunst] now. I think she's just wonderful. I can't think for a second that however much she'd worked in America, she would never have had the chance to play [a role in Lars Von Trier's 'Melancholia' ] like that. You have to get outside of the States to do something like that.
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Elephant Man [movie] was much more difficult physically. This had a couple of days. It was quite tricky. I had my leg strapped up behind me and I am a little older now. It was all marvelous, though. He [Bong Joon-ho] is one of the most fabulous directors in the world.
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When you're really working well with a director then you can be as outrageous as you like and so can he. And there's no worry about it.
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The first film is everything you want to say and how you want to say it. Lots of directors will do that and do it really well, but the second film is not so easy.
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I think you can get better in mathematics on a school level, but when you're talking about being a mathematician, I think that's definitely a gift of genes or whatever.
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Acting is an imaginative leap, really, isn't it? And imaginations prosper in different circumstances. And it's being able - I can't tell you how one does, but one tries to read those circumstances correctly.
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I love working with Lars [von Trier]! I've worked with him three times. I did the narration of Dogville and Manderlay.
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If you listen, you learn if you talk, you don't.
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I loathed school. I don't have an academic mind, and besides I was so bored by my teachers! How teachers can take a child's inventiveness and say yes, yes, in that pontifical way of theirs, and smother everything!
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My parents felt that acting was far too insecure. Don't ask me what made them think that painting would be more secure.
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If you put on an Oscar Wilde [play], it will interest those who are interested in Oscar Wilde. But it won't interest anybody else, because they won't get that wit.
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My mother's father drank and her mother was an unhappy, neurotic woman, and I think she has lived all her life afraid of anyone who drinks for fear something like that might happen to her.
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I first decided that I wanted to act when I was 9. And I was at a very bizarre prep school at the time, to say high Anglo-Catholic would be a real English understatement.
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