I have been illustrating Tolkien's books ever since I first read them, long before illustration became my profession.

Drawing must seek for interest, not for admiration. Because admiration wears quickly.

Occasionally projects just take off unexpectedly, sometimes you can work away at sketches and ideas for years before they are published. There are a number of authors I would be eager to illustrate.

God loves you enough , trusts you enough, to let affliction come into your life to see whether you will exercise the muscles of faith while your physical muscles begin to atrophy.

Daydreaming with pencil and paper is a respectable form of meditation.

Information and inspiration are everywhere... history, art, architecture, everything an illustrator needs. Europe is, after all, the land that has generated most of the enduring myths and legends of Western culture.

More often than not, however, the person who flatly states 'Elves aren't like that!' is hard pressed to describe how they really look.... as if Tolkien has summoned archetypes from so deep in our minds that we can only recall them incompletely.

Dragons and bridges are very much something out of fairy tales and fantasy.

Character is power it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

My initial plan was to spend a year in France, go to some kind of school and learn a bit of French. I went a year in an American college in the outskirts of Strasbourg, but got a glimpse of a real art school, L'Ecole des Arts Decoratifs, and enrolled the following year.