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Even the small amount of infamy I have makes me uncomfortable - on a personal level and on a professional level.

John Hawkes

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John Hawkes
Age: 65
Born: 1959
Born: September 11
Actor
Film Actor
Television Actor
Alexandria
Minnesota
Personal
Levels
Small
Makes
Infamy
Even
Professional
Uncomfortable
Level
Amount

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I generally play strong people and scary people.
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I've never had any delusions about being a leading man, and it's not sour grapes to say that in the best films that I've always enjoyed, the cliched leading man type isn't a part of the picture.
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I began to write fiction on the assumption that the true enemies of the novel were plot, character, setting and theme, and having once abandoned these familiar ways of thinking about fiction, totality of vision or structure was really all that remained.
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I have to be careful of what TV shows I choose, particularly ones that have commercials in them, because it's going to be a different kind of television show.
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When we lived in Juneau, Alaska, it was a town of about 7,000 people, and totally isolated the only way to get to it was by ship.
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I do not feel an exile from America in any sense.
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My fear now is of cliche, of complacency, of not being able to feel authenticity in myself and those around me.
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It's nice to sometimes get things out of life, rather than stealing from other artists. I'm trying to steal from the real people.
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For me and for I'm sure any actor, each role is a different challenge to prepare for in a different way.
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Really, I didn't like Alaska. It rained, almost every day, at least 300 days out of the year.
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I don't mean to be highfalutin about it, but I try to limit my visibility.
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Motive is never easy. Sometimes it occurs to one only later.
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If you're telling a story it's always best not to play the ending.
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A lot of times, you just don't get the jobs you want to get.
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People have said unkind things and you kind of have to, if you happen to read it, you have to just, you know, move on.
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To be anywhere near an enormous ocean liner when you are just like a fish in the water is frightening.
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The only thing that exists is torment, lyricism, and the magnificence of language.
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It's tough being an actor making music, because even I have a knee-jerk reaction to that.
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As an actor, I think a mistake that any storyteller can make is to play the ending.
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'The New York Times' thing... I think any actor would be thrilled to be profiled in that paper.
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