Quote

There's no such thing as a perfect play. Sometimes you have to protect the life of the play.

John Guare

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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Protect
Perfect
Play
Sometimes
Thing
Life

More quotes by John Guare

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I wanted to be a Bride of Christ but I guess now I'm a young divorcee.
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Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.
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You can't be a sort of pioneer.
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Oh, I never use a seat belt. I don't believe in gravity.
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The great risk is always saying, how will I communicate what I'm trying to get across to a room full of strangers sitting in the dark watching a stage?
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The power of the past to still dominate our thinking today.
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Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
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I mean New York City is the financial capital of the world. It's where all the money passes through, the Dow Jones, whatever, that's where all the money goes.
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Does the New York City Ballet affect other places? Yeah, it lets people know they should come to New York.
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I'm sure there are some good dramaturgs but I've never worked with one.
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James Joyce wrote the definitive work about Dublin while he was living in Switzerland. We're all where we come from. We all have our roots.
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People rewrite the play so much to make it palatable to the audience, to make something clear, that they just deaden it. Like it was left it in the oven too long.
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Avoiding humiliation is the core of tragedy and comedy.
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You cannot write to resonate twenty or thirty or forty years from now. You only can write for that very day, but whatever happens is all gravy.
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We live in a world where amnesia is the most wished-for state. When did history become a bad word?
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You can't kind of take away, you either do or you don't. If you kind of take away something you're a failure.
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I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
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The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
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The rich live hand-to-mouth too-just on a higher level.
John Guare