Quote

James Joyce wrote the definitive work about Dublin while he was living in Switzerland. We're all where we come from. We all have our roots.

John Guare

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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Come
Definitive
Work
Dublin
Joyce
Switzerland
James
Wrote
Roots
Living

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Avoiding humiliation is the core of tragedy and comedy.
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I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
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You don't push the button that says Now I will write something that resonates in time. You don't know. It's what happens after a play is finished.
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Like a dog, a playwright lives in an eternal present and a play is never closed.
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Every play is so important. It's a record of what life was like at the time you wrote that play or that book.
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However, the moral center of New York City, I believe, is the New York City Ballet.
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People rewrite the play so much to make it palatable to the audience, to make something clear, that they just deaden it. Like it was left it in the oven too long.
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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
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Does the New York City Ballet affect other places? Yeah, it lets people know they should come to New York.
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All the New York City Ballet does is hit beautiful home runs.
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You can't be a sort of pioneer.
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You can't kind of take away, you either do or you don't. If you kind of take away something you're a failure.
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I'm sure there are some good dramaturgs but I've never worked with one.
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Show business offers more solid promises than Catholicism.
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I wanted to be a Bride of Christ but I guess now I'm a young divorcee.
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The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
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Oh, I never use a seat belt. I don't believe in gravity.
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The power of the past to still dominate our thinking today.
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Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.
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Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
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