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Sometimes you have to protect the life of the play. It seems like spelling out mysterious, musical details can destroy a play by making the motivations too clear, too simplex.
John Guare
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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Like
Motivation
Protect
Clear
Motivations
Making
Spelling
Seems
Mysterious
Play
Destroy
Sometimes
Details
Life
Musical
More quotes by John Guare
You don't push the button that says Now I will write something that resonates in time. You don't know. It's what happens after a play is finished.
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You cannot write to resonate twenty or thirty or forty years from now. You only can write for that very day, but whatever happens is all gravy.
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1975 is as much a historical document as 1803.
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However, the moral center of New York City, I believe, is the New York City Ballet.
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Does the New York City Ballet affect other places? Yeah, it lets people know they should come to New York.
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You can read ten books and finally come across one detail, and it's like, now everything else makes sense. Now I know where I am.
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You can't be a sort of pioneer.
John Guare
Every play is so important. It's a record of what life was like at the time you wrote that play or that book.
John Guare
There's no such thing as a perfect play. Sometimes you have to protect the life of the play.
John Guare
I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
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And what would be great numbers in a Broadway show are now on stage of the New York City Ballet.
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I mean New York City is the financial capital of the world. It's where all the money passes through, the Dow Jones, whatever, that's where all the money goes.
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I'm sure there are some good dramaturgs but I've never worked with one.
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You can't kind of take away, you either do or you don't. If you kind of take away something you're a failure.
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I wanted to be a Bride of Christ but I guess now I'm a young divorcee.
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Avoiding humiliation is the core of tragedy and comedy.
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The power of the past to still dominate our thinking today.
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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
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People rewrite the play so much to make it palatable to the audience, to make something clear, that they just deaden it. Like it was left it in the oven too long.
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Show business offers more solid promises than Catholicism.
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