Quote

Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.

John Guare

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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Character
Long
Life
Playwriting
Knock
Enter
Rule
Perfect

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All the New York City Ballet does is hit beautiful home runs.
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Like a dog, a playwright lives in an eternal present and a play is never closed.
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1975 is as much a historical document as 1803.
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The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
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I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
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Everyone talks about America, this great country. You hear, I'm more patriotic than you are. No, I'm more patriotic! But how few people know the history of this country and how we came into being. That's the part that just amazed me.
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I think a playwright must be his own dramaturg.
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There's no such thing as a perfect play. Sometimes you have to protect the life of the play.
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The rich live hand-to-mouth too-just on a higher level.
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I mean New York City is the financial capital of the world. It's where all the money passes through, the Dow Jones, whatever, that's where all the money goes.
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Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
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You cannot write to resonate twenty or thirty or forty years from now. You only can write for that very day, but whatever happens is all gravy.
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How much of your life can you account for? My life is a collage of unaccounted for brush strokes I am all random”.
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And what would be great numbers in a Broadway show are now on stage of the New York City Ballet.
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I wanted to be a Bride of Christ but I guess now I'm a young divorcee.
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You can't kind of take away, you either do or you don't. If you kind of take away something you're a failure.
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The great risk is always saying, how will I communicate what I'm trying to get across to a room full of strangers sitting in the dark watching a stage?
John Guare
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You don't push the button that says Now I will write something that resonates in time. You don't know. It's what happens after a play is finished.
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The power of the past to still dominate our thinking today.
John Guare