Quote

Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.

John Guare

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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Character
Long
Life
Playwriting
Knock
Enter
Rule
Perfect

More quotes by John Guare

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You cannot write to resonate twenty or thirty or forty years from now. You only can write for that very day, but whatever happens is all gravy.
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Show business offers more solid promises than Catholicism.
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Everyone talks about America, this great country. You hear, I'm more patriotic than you are. No, I'm more patriotic! But how few people know the history of this country and how we came into being. That's the part that just amazed me.
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Avoiding humiliation is the core of tragedy and comedy.
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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
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Oh, I never use a seat belt. I don't believe in gravity.
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There's no such thing as a perfect play. Sometimes you have to protect the life of the play.
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I'm sure there are some good dramaturgs but I've never worked with one.
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You can't be a sort of pioneer.
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1975 is as much a historical document as 1803.
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The rich live hand-to-mouth too-just on a higher level.
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How much of your life can you account for? My life is a collage of unaccounted for brush strokes I am all random”.
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You can read ten books and finally come across one detail, and it's like, now everything else makes sense. Now I know where I am.
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I mean New York City is the financial capital of the world. It's where all the money passes through, the Dow Jones, whatever, that's where all the money goes.
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All the New York City Ballet does is hit beautiful home runs.
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The power of the past to still dominate our thinking today.
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James Joyce wrote the definitive work about Dublin while he was living in Switzerland. We're all where we come from. We all have our roots.
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And what would be great numbers in a Broadway show are now on stage of the New York City Ballet.
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Sometimes you have to protect the life of the play. It seems like spelling out mysterious, musical details can destroy a play by making the motivations too clear, too simplex.
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However, the moral center of New York City, I believe, is the New York City Ballet.
John Guare