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Avoiding humiliation is the core of tragedy and comedy.

John Guare

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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Humiliated
Humiliation
Avoiding
Core
Tragedy
Comedy

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Oh, I never use a seat belt. I don't believe in gravity.
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The great risk is always saying, how will I communicate what I'm trying to get across to a room full of strangers sitting in the dark watching a stage?
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Show business offers more solid promises than Catholicism.
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You can't be a sort of pioneer.
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I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
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I'm sure there are some good dramaturgs but I've never worked with one.
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Sometimes you have to protect the life of the play. It seems like spelling out mysterious, musical details can destroy a play by making the motivations too clear, too simplex.
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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
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I think a playwright must be his own dramaturg.
John Guare
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The rich live hand-to-mouth too-just on a higher level.
John Guare
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The power of the past to still dominate our thinking today.
John Guare
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There's no such thing as a perfect play. Sometimes you have to protect the life of the play.
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People rewrite the play so much to make it palatable to the audience, to make something clear, that they just deaden it. Like it was left it in the oven too long.
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1975 is as much a historical document as 1803.
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You can read ten books and finally come across one detail, and it's like, now everything else makes sense. Now I know where I am.
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You can't kind of take away, you either do or you don't. If you kind of take away something you're a failure.
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How much of your life can you account for? My life is a collage of unaccounted for brush strokes I am all random”.
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You cannot write to resonate twenty or thirty or forty years from now. You only can write for that very day, but whatever happens is all gravy.
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Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
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The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
John Guare