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And what would be great numbers in a Broadway show are now on stage of the New York City Ballet.

John Guare

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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Great
Ballet
Would
York
City
Cities
Numbers
Stage
Show
Shows
Broadway

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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
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1975 is as much a historical document as 1803.
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Like a dog, a playwright lives in an eternal present and a play is never closed.
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Every play is so important. It's a record of what life was like at the time you wrote that play or that book.
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Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.
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You can't kind of take away, you either do or you don't. If you kind of take away something you're a failure.
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People rewrite the play so much to make it palatable to the audience, to make something clear, that they just deaden it. Like it was left it in the oven too long.
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The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
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Show business offers more solid promises than Catholicism.
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I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
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There's no such thing as a perfect play. Sometimes you have to protect the life of the play.
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Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
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How much of your life can you account for? My life is a collage of unaccounted for brush strokes I am all random”.
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I wanted to be a Bride of Christ but I guess now I'm a young divorcee.
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Does the New York City Ballet affect other places? Yeah, it lets people know they should come to New York.
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You cannot write to resonate twenty or thirty or forty years from now. You only can write for that very day, but whatever happens is all gravy.
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James Joyce wrote the definitive work about Dublin while he was living in Switzerland. We're all where we come from. We all have our roots.
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The great risk is always saying, how will I communicate what I'm trying to get across to a room full of strangers sitting in the dark watching a stage?
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The rich live hand-to-mouth too-just on a higher level.
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We live in a world where amnesia is the most wished-for state. When did history become a bad word?
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