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And what would be great numbers in a Broadway show are now on stage of the New York City Ballet.

John Guare

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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Great
Ballet
Would
York
City
Cities
Numbers
Stage
Show
Shows
Broadway

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You can't kind of take away, you either do or you don't. If you kind of take away something you're a failure.
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You can't be a sort of pioneer.
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Every play is so important. It's a record of what life was like at the time you wrote that play or that book.
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There's no such thing as a perfect play. Sometimes you have to protect the life of the play.
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Avoiding humiliation is the core of tragedy and comedy.
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I wanted to be a Bride of Christ but I guess now I'm a young divorcee.
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How much of your life can you account for? My life is a collage of unaccounted for brush strokes I am all random”.
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The rich live hand-to-mouth too-just on a higher level.
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However, the moral center of New York City, I believe, is the New York City Ballet.
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All the New York City Ballet does is hit beautiful home runs.
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You don't push the button that says Now I will write something that resonates in time. You don't know. It's what happens after a play is finished.
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Like a dog, a playwright lives in an eternal present and a play is never closed.
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Oh, I never use a seat belt. I don't believe in gravity.
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I think a playwright must be his own dramaturg.
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Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.
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The power of the past to still dominate our thinking today.
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The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
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You cannot write to resonate twenty or thirty or forty years from now. You only can write for that very day, but whatever happens is all gravy.
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Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
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