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I wanted to be a Bride of Christ but I guess now I'm a young divorcee.

John Guare

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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Brides
Guess
Christ
Young
Wanted
Divorcee
Bride

More quotes by John Guare

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However, the moral center of New York City, I believe, is the New York City Ballet.
John Guare
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All the New York City Ballet does is hit beautiful home runs.
John Guare
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I'm sure there are some good dramaturgs but I've never worked with one.
John Guare
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How much of your life can you account for? My life is a collage of unaccounted for brush strokes I am all random”.
John Guare
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I think a playwright must be his own dramaturg.
John Guare
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Show business offers more solid promises than Catholicism.
John Guare
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Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.
John Guare
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Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
John Guare
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You don't push the button that says Now I will write something that resonates in time. You don't know. It's what happens after a play is finished.
John Guare
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Oh, I never use a seat belt. I don't believe in gravity.
John Guare
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There's no such thing as a perfect play. Sometimes you have to protect the life of the play.
John Guare
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I mean New York City is the financial capital of the world. It's where all the money passes through, the Dow Jones, whatever, that's where all the money goes.
John Guare
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Avoiding humiliation is the core of tragedy and comedy.
John Guare
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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
John Guare
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The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.
John Guare
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Sometimes you have to protect the life of the play. It seems like spelling out mysterious, musical details can destroy a play by making the motivations too clear, too simplex.
John Guare
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The great risk is always saying, how will I communicate what I'm trying to get across to a room full of strangers sitting in the dark watching a stage?
John Guare
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You can't be a sort of pioneer.
John Guare
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You cannot write to resonate twenty or thirty or forty years from now. You only can write for that very day, but whatever happens is all gravy.
John Guare
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The power of the past to still dominate our thinking today.
John Guare