Quote

The life of a dancer is tragically short. What is remarkable about the New York City Ballet is that it makes us forget that. Because it keeps the ballet alive.

John Guare

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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Cities
Tragically
Alive
Ballet
Forget
Dancer
Makes
Remarkable
Life
Keeps
York
City
Short

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Avoiding humiliation is the core of tragedy and comedy.
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Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
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However, the moral center of New York City, I believe, is the New York City Ballet.
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We live in a world where amnesia is the most wished-for state. When did history become a bad word?
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All the New York City Ballet does is hit beautiful home runs.
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You can't be a sort of pioneer.
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Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.
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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
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Show business offers more solid promises than Catholicism.
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I mean New York City is the financial capital of the world. It's where all the money passes through, the Dow Jones, whatever, that's where all the money goes.
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Every play is so important. It's a record of what life was like at the time you wrote that play or that book.
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The great risk is always saying, how will I communicate what I'm trying to get across to a room full of strangers sitting in the dark watching a stage?
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The power of the past to still dominate our thinking today.
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I wanted to be a Bride of Christ but I guess now I'm a young divorcee.
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Oh, I never use a seat belt. I don't believe in gravity.
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The rich live hand-to-mouth too-just on a higher level.
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There's no such thing as a perfect play. Sometimes you have to protect the life of the play.
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I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
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Like a dog, a playwright lives in an eternal present and a play is never closed.
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Sometimes you have to protect the life of the play. It seems like spelling out mysterious, musical details can destroy a play by making the motivations too clear, too simplex.
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