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We live in a world where amnesia is the most wished-for state. When did history become a bad word?
John Guare
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John Guare
Age: 86
Born: 1938
Born: February 5
Actor
Playwright
Screenwriter
Writer
New York City
New York
Live
Amnesia
World
Wished
Word
State
History
Past
Become
States
More quotes by John Guare
I think a playwright must be his own dramaturg. I believe in a theater where the director and the playwright work together to create what they need.
John Guare
You don't push the button that says Now I will write something that resonates in time. You don't know. It's what happens after a play is finished.
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What we're dealt with hopefully is two arms, two eyes, two legs, a head, a heart. The variations, the extensions, the possibilities of the human body, what that can do
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However, the moral center of New York City, I believe, is the New York City Ballet.
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Oh, I never use a seat belt. I don't believe in gravity.
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I think a playwright must be his own dramaturg.
John Guare
Every play is so important. It's a record of what life was like at the time you wrote that play or that book.
John Guare
Does the New York City Ballet affect other places? Yeah, it lets people know they should come to New York.
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The power of the past to still dominate our thinking today.
John Guare
There's no such thing as a perfect play. Sometimes you have to protect the life of the play.
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Show business offers more solid promises than Catholicism.
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The rich live hand-to-mouth too-just on a higher level.
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And what would be great numbers in a Broadway show are now on stage of the New York City Ballet.
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I mean New York City is the financial capital of the world. It's where all the money passes through, the Dow Jones, whatever, that's where all the money goes.
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Sometimes you have to protect the life of the play. It seems like spelling out mysterious, musical details can destroy a play by making the motivations too clear, too simplex.
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Avoiding humiliation is the core of tragedy and comedy.
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Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
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The great risk is always saying, how will I communicate what I'm trying to get across to a room full of strangers sitting in the dark watching a stage?
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People rewrite the play so much to make it palatable to the audience, to make something clear, that they just deaden it. Like it was left it in the oven too long.
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Everyone talks about America, this great country. You hear, I'm more patriotic than you are. No, I'm more patriotic! But how few people know the history of this country and how we came into being. That's the part that just amazed me.
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