I look on cinema as a pulpit, and use it as a propagandist.

The cultivation of sensibility on purely personal lines may, in fact, be the very worst training for a world where only the corporate and the cooperative will matter.

Beware the ends of the earth and the exotic: the drama is on your doorstep wherever the slums are, wherever there is malnutrition, wherever there is exploitation and cruelty.

In fact, the individual outlook becomes less and less valuable and more and more harmful unless it is transmitted into the corporate outlook.

Some of us learned in a school of philosophy which taught that all was for the common good and nothing for oneself and have never, in any case, regarded the pursuit of happiness as anything other than an aberration of the human spirit.

Political conflicts distort and disturb a people's sense of distinction between matters of importance and matters of urgency. What is vital is disguised by what is merely a matter of well being.

We believe that the cinema's capacity for getting around, for observing and selecting from life itself can be exploited in a new and vital art form

Such manifestations I account as representing the creative leadership of the new forces of thought and appreciation which attend changes in technological pattern and therefore of the pattern of human relationships in society.

We have built our State on the freedom of personal adventure.

My view... would be that we are entering upon a new and interim society which is neither capitalist nor socialist, but in which we can achieve central planning without loss of individual initiative, by the mere process of absorbing initiative in the function of planning.

The oblique paradox of propaganda is that the lie in the throat becomes, by repetition, the truth in the heart.