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He specialized in the murder of dreams, Hazel Grace.

John Green

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John Green
Age: 47
Born: 1977
Born: August 24
Author
Businessperson
Critic
Editor
Film Producer
Journalist
Literary Critic
Novelist
Podcaster
Singer
Indianapolis
Indiana
John Michael Green
Dream
Hazel
Specialized
Murder
Dreams
Grace

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And he found himself thinking that maybe stories don't just make us matter to each other - maybe they're also the only way to the infinite mattering he'd been after for so long.
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Nothing's wrong. Everything's right. Things couldn't be righter. Things could be less tired. They could be less busy. They could be less caffeinated. But they couldn't be righter.
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I believe the universe wants to be noticed. I think the universe is inprobably biased toward the consciousness, that it rewards intelligence in part because the universe enjoys its elegance being observed. And who am I, living in the middle of history, to tell the universe that it-or my observation of it-is temporary?
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Don't worry. Worry is useless. I worried anyway
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Here's my answer to the very real existential crisis that grips me midway through everything I've ever tried to do: I think stories help us fight the nihilistic urges that constantly threaten to consume us.
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I believe in that line from An Imperial Affliction. 'The risen sun too bright in her losing eyes.' That's God, I think, the rising sun, and the light is too bright and her eyes are losing but they aren't lost.
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I really think that reading is just as important as writing when you're trying to be a writer because it's the only apprenticeship we have, it's the only way of learning how to write a story.
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For a moment, she was quiet. Then she grabbed my hand, whispered, “Run run run run run,” and took off, pulling me behind her.
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I like to build places online where readers can have productive conversations about books.
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All good American literature is always interested in people who are ambiguously heroic, like Gatsby.
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All salvation is temporary
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For she had embodied the Great Perhaps--she had proved to me that it was worth it to leave behind my minor life for grander maybes, and now she was gone and with her my faith in perhaps.
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That’s part of what I like about the book in some ways. It portrays death truthfully. You die in the middle of your life, in the middle of a sentence
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Need is never a good basis for any relationship.
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And then the line was quite but not dead. I almost felt like he was there in my room with me, but in a way it was better, like I was not in my room and he was not in his, but instead we were together in some invisible and tenuous third space that could only be visited on the phone.
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Beware of that monster called 'self-loathing'.
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How will I ever get out of this labyrinth! to a margin note written in her loop-heavy cursive: Straight & Fast.
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