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Be sensitive to your mistakes. Put it on the wall for a couple of weeks. It may be that you can learn more from the study of your own work than from others.

John French Sloan

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John French Sloan
Age: 80 †
Born: 1871
Born: January 1
Died: 1951
Died: September 8
Artist
Designer
Draftsperson
Drawer
Etcher
Graphic Artist
Illustrator
Painter
Lock Haven
Pennsylvania
sloan j.
John French Sloan
Study
Learn
Weeks
Others
Sensitive
May
Mistakes
Work
Couple
Wall
Week
Mistake

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Line is the most powerful device of drawing.
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Consistency is the quality of a stagnant mind.
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Every good picture leaves the painter eager to start again, unsatisfied, inspired by the rich mine in which he is working, hoping for more energy, more vitality, more time - condemned to painting for life.
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Be sensitive to the qualities inherent in the medium. Paint honestly and avoid tricks.
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You can be a giant among artists without ever attaining any great skill. Facility is a dangerous thing. When there is too much technical ease the brain stops criticizing. Don't let the hand fall into a smart way of putting the mind to sleep.
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The subject may be of first importance to the artist when he starts a picture, but it should be of least importance in the finished product. The subject is of no aesthetic significance.
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The emphasis on original, individual work in the past years has done a great deal to produce a crop of eccentric fakes and has carried art away from the stream of tradition. Tradition is our heritage of knowledge and experience. We can't get along without it.
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Art is the result of a creative impulse derived out of a consciousness of life.
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Study the great brush drawings of the Chinese and Japanese... When we try to imitate their conventions for perspective, form and texture we lose the content, because those artists were part of an ancient tradition. Our tradition changes rapidly, our schools of thought come to fruition quickly and decay again. We see differently.
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There is a better chance of getting an exciting painting from a laboured study with texture than from a fine drawing without it.
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Many great works of art have only form, the sculpture of the thing. Color as used to signify realization by men like Titian and Rembrandt, gives greater life and tactile experience to the work.
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Draw with the brush. Carve the form. Don't be carried away by subtleties of modeling and nice pigmentation at the expense of losing the form.
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Artists are the only people in the world who really live. The others have to hope for heaven.
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When you draw a crowd of people in a street or room or landscape, decide whether you want to say that the people dominate the place or that the place is more important than the people.
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The artist seeks to record his awareness of order in life.
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Originality is a quality that cannot be imitated. The technique of the language, on the other hand, is something that belongs to all who can understand it.
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In the hands of a master, light and shade is one of the great qualities of art.
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Color is like music. The palette is an instrument that can be orchestrated to build form.
John French Sloan
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...in the habit of watching every bit of human life I can see about my windows, but I do it so that I am not observed at it.
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A good drawing has immense vitality because it is explanatory. In a good drawing even its faults have become virtues.
John French Sloan