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Be sensitive to your mistakes. Put it on the wall for a couple of weeks. It may be that you can learn more from the study of your own work than from others.

John French Sloan

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John French Sloan
Age: 80 †
Born: 1871
Born: January 1
Died: 1951
Died: September 8
Artist
Designer
Draftsperson
Drawer
Etcher
Graphic Artist
Illustrator
Painter
Lock Haven
Pennsylvania
sloan j.
John French Sloan
Wall
Week
Mistake
Study
Learn
Weeks
Others
Sensitive
May
Mistakes
Work
Couple

More quotes by John French Sloan

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Don't be afraid to borrow. The great men, the most original, borrowed from everybody.
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Color is like music. The palette is an instrument that can be orchestrated to build form.
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In the hands of a master, light and shade is one of the great qualities of art.
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Most art students are generous till it comes to squeezing their colour on the palette... Many pictures haven't become works of art simply because the artist tried to save a nickel's worth of colour.
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Consistency is the quality of a stagnant mind.
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The great black and white draftsman, the sculptor, and the blind man know that form and color are separate. The form itself is what the blind man knows...Color is surface skin that fits over the form.
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A good drawing has immense vitality because it is explanatory. In a good drawing even its faults have become virtues.
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You can be a giant among artists without ever attaining any great skill. Facility is a dangerous thing. When there is too much technical ease the brain stops criticizing. Don't let the hand fall into a smart way of putting the mind to sleep.
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Always think of drawing, getting the forms realized, emphasizing the design.
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Originality is a quality that cannot be imitated. The technique of the language, on the other hand, is something that belongs to all who can understand it.
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...in the habit of watching every bit of human life I can see about my windows, but I do it so that I am not observed at it.
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Art is the result of a creative impulse derived out of a consciousness of life.
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A piece of drapery is like a necktie, hot stuff to paint, and one of the easiest things for a painter to kid himself into thinking he can do. Don't be fooled by the color. Go after the shape and character. Hew the forms together with colored tones.
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Be sensitive to the qualities inherent in the medium. Paint honestly and avoid tricks.
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Find your own technique.
John French Sloan
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The emphasis on original, individual work in the past years has done a great deal to produce a crop of eccentric fakes and has carried art away from the stream of tradition. Tradition is our heritage of knowledge and experience. We can't get along without it.
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When you draw a crowd of people in a street or room or landscape, decide whether you want to say that the people dominate the place or that the place is more important than the people.
John French Sloan
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Draw with the brush. Carve the form. Don't be carried away by subtleties of modeling and nice pigmentation at the expense of losing the form.
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Every good picture leaves the painter eager to start again, unsatisfied, inspired by the rich mine in which he is working, hoping for more energy, more vitality, more time - condemned to painting for life.
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The subject may be of first importance to the artist when he starts a picture, but it should be of least importance in the finished product. The subject is of no aesthetic significance.
John French Sloan