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In the hands of a master, light and shade is one of the great qualities of art.

John French Sloan

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John French Sloan
Age: 80 †
Born: 1871
Born: January 1
Died: 1951
Died: September 8
Artist
Designer
Draftsperson
Drawer
Etcher
Graphic Artist
Illustrator
Painter
Lock Haven
Pennsylvania
sloan j.
John French Sloan
Great
Shade
Qualities
Master
Masters
Quality
Art
Hands
Light

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The subject may be of first importance to the artist when he starts a picture, but it should be of least importance in the finished product. The subject is of no aesthetic significance.
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Don't be afraid to borrow. The great men, the most original, borrowed from everybody.
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Color is like music. The palette is an instrument that can be orchestrated to build form.
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Originality is a quality that cannot be imitated. The technique of the language, on the other hand, is something that belongs to all who can understand it.
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There is a better chance of getting an exciting painting from a laboured study with texture than from a fine drawing without it.
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Study the great brush drawings of the Chinese and Japanese... When we try to imitate their conventions for perspective, form and texture we lose the content, because those artists were part of an ancient tradition. Our tradition changes rapidly, our schools of thought come to fruition quickly and decay again. We see differently.
John French Sloan
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Line is the most powerful device of drawing.
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I always think of shade as being full of light. That is why I like to use the word shade rather than light and shadow. Shade seems to play over the thing, envelop it, better define it, while shadow seems to fall on the thing and stain the surface with darks.
John French Sloan
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A good drawing has immense vitality because it is explanatory. In a good drawing even its faults have become virtues.
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When you draw a crowd of people in a street or room or landscape, decide whether you want to say that the people dominate the place or that the place is more important than the people.
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Art is the result of a creative impulse derived out of a consciousness of life.
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The artist seeks to record his awareness of order in life.
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Most art students are generous till it comes to squeezing their colour on the palette... Many pictures haven't become works of art simply because the artist tried to save a nickel's worth of colour.
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Many great works of art have only form, the sculpture of the thing. Color as used to signify realization by men like Titian and Rembrandt, gives greater life and tactile experience to the work.
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Consistency is the quality of a stagnant mind.
John French Sloan
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Find your own technique.
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Every good picture leaves the painter eager to start again, unsatisfied, inspired by the rich mine in which he is working, hoping for more energy, more vitality, more time - condemned to painting for life.
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Always think of drawing, getting the forms realized, emphasizing the design.
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The emphasis on original, individual work in the past years has done a great deal to produce a crop of eccentric fakes and has carried art away from the stream of tradition. Tradition is our heritage of knowledge and experience. We can't get along without it.
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A piece of drapery is like a necktie, hot stuff to paint, and one of the easiest things for a painter to kid himself into thinking he can do. Don't be fooled by the color. Go after the shape and character. Hew the forms together with colored tones.
John French Sloan