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In the hands of a master, light and shade is one of the great qualities of art.
John French Sloan
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John French Sloan
Age: 80 †
Born: 1871
Born: January 1
Died: 1951
Died: September 8
Artist
Designer
Draftsperson
Drawer
Etcher
Graphic Artist
Illustrator
Painter
Lock Haven
Pennsylvania
sloan j.
John French Sloan
Masters
Quality
Art
Hands
Light
Great
Shade
Qualities
Master
More quotes by John French Sloan
Color is like music. The palette is an instrument that can be orchestrated to build form.
John French Sloan
When you draw a crowd of people in a street or room or landscape, decide whether you want to say that the people dominate the place or that the place is more important than the people.
John French Sloan
Line is the most powerful device of drawing.
John French Sloan
The subject may be of first importance to the artist when he starts a picture, but it should be of least importance in the finished product. The subject is of no aesthetic significance.
John French Sloan
Every good picture leaves the painter eager to start again, unsatisfied, inspired by the rich mine in which he is working, hoping for more energy, more vitality, more time - condemned to painting for life.
John French Sloan
There is a better chance of getting an exciting painting from a laboured study with texture than from a fine drawing without it.
John French Sloan
Artists are the only people in the world who really live. The others have to hope for heaven.
John French Sloan
The artist seeks to record his awareness of order in life.
John French Sloan
Always think of drawing, getting the forms realized, emphasizing the design.
John French Sloan
Find your own technique.
John French Sloan
A piece of drapery is like a necktie, hot stuff to paint, and one of the easiest things for a painter to kid himself into thinking he can do. Don't be fooled by the color. Go after the shape and character. Hew the forms together with colored tones.
John French Sloan
Many great works of art have only form, the sculpture of the thing. Color as used to signify realization by men like Titian and Rembrandt, gives greater life and tactile experience to the work.
John French Sloan
I always think of shade as being full of light. That is why I like to use the word shade rather than light and shadow. Shade seems to play over the thing, envelop it, better define it, while shadow seems to fall on the thing and stain the surface with darks.
John French Sloan
Be sensitive to the qualities inherent in the medium. Paint honestly and avoid tricks.
John French Sloan
You can be a giant among artists without ever attaining any great skill. Facility is a dangerous thing. When there is too much technical ease the brain stops criticizing. Don't let the hand fall into a smart way of putting the mind to sleep.
John French Sloan
Be sensitive to your mistakes. Put it on the wall for a couple of weeks. It may be that you can learn more from the study of your own work than from others.
John French Sloan
Study the great brush drawings of the Chinese and Japanese... When we try to imitate their conventions for perspective, form and texture we lose the content, because those artists were part of an ancient tradition. Our tradition changes rapidly, our schools of thought come to fruition quickly and decay again. We see differently.
John French Sloan
Don't be afraid to borrow. The great men, the most original, borrowed from everybody.
John French Sloan
Consistency is the quality of a stagnant mind.
John French Sloan
...in the habit of watching every bit of human life I can see about my windows, but I do it so that I am not observed at it.
John French Sloan
